Three glimpses through the rolling smoke of opium, three stories that still hover about a squalid opium joint in Hong Kong, might very well at this distance of time be dismissed as pipe dreams. Yet they really happened; they were stages in the great misfortune of a man's life; although many who played their parts in the drama would have forgotten it by the morning. A large paper-lantern coarsely scrawled with a glaring crimson dragon hung over the black and almost subterranean entrance of the den; the moon was up and the little street was almost deserted. We all talk of the mystery of Asia; and there is a sense in which we are all wrong. Asia has been hardened by the ages; it is old, so that its bones stick out; and in one sense there is less disguise and mystification about it than there is about the more living and moving problems of the West. The dope-peddlers and opium hags and harlots who made the dingy life of that place were fixed and recognised in their functions, in something almost like a social hierarchy; sometimes their vice was official and almost religious, as in the dancing-girls of the temples. But the English naval officer who strode at that instant past that door, and had occasion to pause there, was in reality much more of a mystery; for he was a mystery even to himself. There were bound up in his character, both national and individual, the most complex and contradictory things: codes and compromises about codes, and a conscience strangely fitful and illogical; sentimental instincts that recoiled from sentiment and religious feelings that had outlived religion; a patriotism that prided itself on being merely practical and professional; all the tangled traditions of a great Pagan and a great Christian past; the mystery of the West. It grew more and more mysterious, because he himself never thought about it. Indeed there is only one part of it that anybody need think about for the purposes of this tale. Like every man of his type, he had a perfectly sincere hatred of individual oppression; which would not have saved him from taking part in impersonal or collective oppression, if the responsibility were spread to all his civilisation or his country or his class. He was the Captain of a battleship lying at that moment in the harbour of Hong Kong. He would have shelled Hong Kong to pieces and killed half the people in it, even if it had been in that shameful war by which Great Britain forced opium upon China. But when he happened to see an individual Chinese girl being dragged across the road by a greasy, yellow ruffian, and flung head-foremost into the opium-den, something sprang up quite spontaneously within him: an "age" that is never really past, and certain romances that were not really burned by the Barber; something that does still deserve the glorious insult of being called quixotic. With two or three battering blows he sent the Chinaman spinning across the road, where he collapsed in a distant gutter. But the girl had already been flung down the steps of the dark entry, and he precipitated himself after her with the purely instinctive impetuosity of a charging bull. There was very little in his mind at that moment except rage and a very vague intention of delivering the captive from so uninviting a dungeon. But even over such a simple mood a wave of unconscious warning seemed to pass; the blood-red dragon-lantern seemed to leer down at him; and he had some such blind sensation as might have overwhelmed St. George if, charging with a victorious lance, he had found himself swallowed by the dragon. And yet the next scene revealed, in a rift of that visionary vapour, is not any such scene of doom or punishment as some sensationalists might legitimately expect. It will not be necessary to gratify the refined modern taste with scenes of torture; nor to avoid the vulgarity of a happy ending by killing the principal character in the first chapter. Nevertheless, the scene revealed was perhaps, in its ultimate effects, almost more tragic than a scene of death. The most tragic thing about it was that it was rather comic. The gleam of the tawdry lanterns in the dope-den revealed nothing but a huddle of drugged coolies, with faces like yellow stone; the sailors from a ship that had put into Hong Kong that morning, flying the Stars and Stripes; and the uniform of the Captain of a British ship, behaving in a peculiar way and apparently under rather peculiar influences. It was believed by some that what he was performing was a horn-pipe, but that it was mingled with motions designed only to preserve equilibrium. The crew looking on was American; that is to say, some of them were Swedish, several Polish, several more Slavs of nameless nationality, and a large number of brown Lascars from the ends of the earth. But they all saw something that they very much wanted to see and had never seen before. They saw an English gentleman unbend. He unbent with luxurious slowness and then suddenly bent double again and slid to the floor with a band. He was understood to say: "Dam' bad whisky but dam' good. WhadImeansay is," he explained with laborious logic, "whisky dam' bad, but dam' bad whisky dam' good thing." "He's had more than whisky," said one of the Swedish sailors in Swedish American. "He's had everything there is to have, I should think," replied a Pole with a refined accent. And then a little swarthy Jew, who was born in Budapest but had lived in Whitechapel, struck up in piping tunes a song he had heard there: "Every nice girl loves a sailor." And in his song there was a sneer that was some day to be seen on the face of Trotsky, and to change the world. The dawn gives us the third glimpse of the harbour of Hong Kong, where the battleship flying the Stars and Stripes lay with the other battleship flying the Union Jack; and on the latter ship there was turmoil and blank dismay. The First and Second Officers looked at each other with growing alertness and alarm, and one of them looked at a watch. "Can you suggest anything, Mr. Lutterell?" said one of them, with a sharp voice but a very vague eye. "I think we shall have to send somebody ashore to find out," replied Mr. Lutterell. At this point a third officer appeared, hauling forward a heavy and reluctant seaman; who was supposed to have some information to give, but seemed to have some difficulty in giving it. "Well, you see, sir, he's been found," he said at last. "The Captain's been found." Something in his tone moved the First Officer to sudden horror. "What do you mean by found?" he cried. "You talk as if he was dead!" "Well, I don't think he's dead," said the sailor with irritating slowness. "But he looked dead-like." "I'm afraid, sir," said the Second Officer in a low voice, "that they're just bringing him in. I hope they'll be quick and keep it as quiet as they can." Under these circumstances did the First Officer look up and behold his respected Captain returning to his beloved ship. He was being carried like a sack by two dirty-looking coolies, and the officers hastily closed round him and carried him to his cabin. Then Mr. Lutterell turned sharply and sent for the ship's doctor. "Hold these men for the moment," he said, pointing to the coolies; "we've got to know about this. Now then, Doctor, what's the matter with him?" The doctor was a hard-headed, hatchet-faced man, having the not very popular character of a candid friend; and on this occasion he was very candid indeed. "I can see and smell for myself," he said, "before I begin the examination. He's had opium and whisky as well as Heaven knows what else. I should say he's a bag of poisons." "Any wounds at all?" asked the frowning Lutterell. "I should say he's knocked himself out," said the candid doctor. "Most likely knocked himself out of the Service." "You have no right to say that," said the First Officer severely. "That is for the authorities." "Yes," said the other doggedly. "Authorities of a Court Martial, I should say. No; there are no wounds." Thus do the first three stages of the story reach their conclusion; and it must be admitted with regret that so far there is no moral to the story.