Selections from G.K.Chesterton



THE DEBATER

HUMOUR AND GRAVITY

AN ATHEISTIC NIGHTMARE

THE ANATOMY OF THE JOKE

PUNCH AND JUDY

PUNCH AND JUDY, II

THE SAINT AND THE DRAGON

A UNIVERSAL RELEVANCE

CREEDS AND COBWEBS

A PLEA FOR POPULAR PHILOSOPHY

RUBBISH

NO SUCH THING

THE PROTECTION OF THE BIBLE

SPIRITUALISM

THE ENGLISHMAN'S RELIGION

THE ENGLISH WAY

HIGH OR LOW?

STRAIGHT THINKING

A MAN OF DISTINCTION

ST PIUS X

THE BLACK LINES

THE COSMIC STEW-POT

THE SENTINEL

EVERYMAN

DEATH OF AN ARTIST

POETRY AND BELIEFS

TWO GREAT TORIES

THE FALLACY OF FREEDOM

LIBERTY

THE SERVILE STATE

THE SIN OF PROHIBITION

AUTOMATIC EVIL

THE TYRANNICAL SCEPTIC

THE SHAPE OF THINGS TO COME

SKY SIGNS

THE MONSTROSITY

POLITICS AND DISCONTENT

AGAINST DIVINE DISCONTENT

RELIGION AND REVOLUTION

THE EVIL DAY

WHAT WAS RATIONALISM?

FROM DICKENS TO GISSING

THE CORNER

CHAOS

THE VENGEANCE OF VICTORIA

PRIVACY

NORTHCLIFFE

THE VISION OF VULGARITY, I

THE VISION OF VULGARITY, II

THE HUMBLEST ANIMAL

PUTTING THE CLOCK BACK

THE NUMBER YOU FIRST THOUGHT OF

THE LIVING PAST

THE UNCHANGING VISION

THE WHITE HOUSE

THE ICONOCLAST

THE RETURN OF THE ANGELS

THE NECESSITY OF LUXURY

THE CLUB

THE BIG THING AND THE SMALL

`WORKING OUT THE BRUTE'

ORANGE PEEL AND THE FALL

ORIGINAL SIN

THE OUTLINE OF THE FALL

NEUROSIS

THE BATTLE

THE DECORATION

SURPRISE

THE PHILOSOPHY OF PUMPKINS

`IN THE BEGINNING'

THE SAGE

INTIMATIONS

THE LITTLE THINGS

`MERE PARADOX'

THE HIPPOPOTAMUS AND THE CROCODILE

CHANGE AND DECAY

THE ENEMIES OF JOY

AUTOBIOGRAPHY

LIFE AND LIBERTY

THE LESSON

THE TRUE CRITIC

FAIRY TALES

THE ETHICS OF FAIRYLAND

DIVINE IMMANENCE

A LOCAL HABITATION

SACRAMENT OR MAGIC

THE CONCRETE AND THE ABSTRACT

THE LIGHT AND THE HEAT

A NOTE ON COMPARATIVE RELIGION

ASSIMILATION AND REJECTION

THE WINTER FEAST

THE THREE GIFTS

THE SPRING IN THE SOUL

THE PERSON OF JESUS CHRIST

THE DIVINE COMEDY

THE DRAGON



THE DEBATER

I have always engaged, and always shall engage, in any sort
of discussion on the first principles of human existence.

                                                Daily News, July 7th, 1906

HUMOUR AND GRAVITY

There is one very fixed, and I think very false, conception current
in human life--the conception that to laugh at a thing is in some strange
way to score off it.  The literature of blasphemy, for in stance,
always assumes that when a thing has been shown to be ridiculous,
it has in some way been shown to be disgusting or untrue.
So far from having been shown to be disgusting, it has not even been
shown to be undignified; so far from having been shown to be untrue,
it has not even been shown to be improbable.... A thing may be too sad
to be believed or too wicked to be believed or too good to be believed;
but it cannot be too absurd to be believed in this planet of frogs
and elephants, of crocodiles and cuttle-fish. The round earth itself
is so round that it is impossible to say for certain that it is not
standing on its head.

Nor is it true that the fact of a thing being ludicrous impugns
its moral value.  Many modern writers seem under the persistent
impression that a man or a cause, when it becomes laughable,
betrays itself and gives inherent signs of failure.  If that were so,
scarcely one of the causes that have risen and ruled over
the world of men would ever have come into any maturity at all.
Science and Christianity, Democracy and Imperialism,
conceptions and ideals of the most widely divergent character,
are all alike in this one fact, that they were all, at the very
first glance, absurd ... And the matter, of course, goes much
further than this, for the element of the laughable is not
only always potential, but sometimes inevitable and inherent.
There is something about heroic postures and heroic words which
renders very probable this reaction of derision and entertainment.
Have the humorists ever considered what was the meaning of that `mocking'
to which so many martyrs and prophets are described as subject?
The tyrants and the populace did not `mock' the martyr
because they had a natural malice against courage or purity.
They `mocked' the hero or the prophet for a very excellent reason:
because the hero and the prophet were really funny.

This being so, we are driven to ask ourselves whether this
sense of humour, which is so persistently exalted in our day,
really deserves the full measure of its encomiums; whether it
is really, as is so constantly implied, a test of character,
a guide in conduct, an Ithuriel's spear against evil, a standard
and a method, a cloud by day and a pillar of fire by night.
It has impugned many sanctities; it also has become a sanctity
and it is time it was impugned ...

Of course it is perfectly evident, were we concerned with what is
perfectly evident, that a sense of humour has enormous advantages.
It gives us delicacy and a secret independence of mind.
It makes a man elvishly quick and accurate.  But there is one
thing to be said against a sense of humour, a thing that has
to be said most seriously and most decisively; it does not assist,
it rather hinders, the joy of life.  The two elements of joy
and humour, of exaltation and amusement, are commonly combined
in one eudemonistic theory, in one worship of pleasure.
But they are in truth vitally antagonistic.  If the hedonist asks,
`Where is the glory that was Greece?  Where are the gods
and priests of delight?', it ought to be easy to answer him.
They have vanished at the first whisper of modern humour.
It was not the monks nor the saints that slew them;
it was the jesters.

This vital kinship between gravity and pleasure is one of those
principles which, once they are realized, explain a perpetually
increasing mass of facts.  To take one man out of a thousand.
Whether or no Gladstone was the best or the cleverest or
greatest or most statesmanlike of any particular body of men,
there can be no doubt as to one supreme fact about him--
he was certainly about the happiest man that ever lived.
And this was considerably due to the fact that he was
not tormented by any very strong sense of humour.
To have splendid talents, to move in a thrilling theatre of events,
to plan vast remedies, to defend them with dramatic pronouncements,
to believe with equal intensity in one's own capacity and one's
own cause, to enjoy clean habits and heroic health, to live
to a pleasant old age in a glow of fame and personal dignity;
this seems an almost legendary life, but this was his.
But laughter would have spoilt it.  It is only necessary
to make one remark about Gladstone's great rival.
No one who has enjoyed the wit and laughing wisdom of Disraeli
and really understood its essence, would be surprised to hear
that he was an unhappy man.  Let us rather pray for that appalling
gravity which marks the happiest of all human creatures,
lovers in ecstasy and children at play.

                                         Black and White, April 18th, 1903

AN ATHEISTIC NIGHTMARE

In the whole world of things conceivable there is nothing
so unmercifully hopeless as an infinity of mere facetiousness,
a tyrannical nightmare of jesting.  All the really popular
humorists such as Sterne and Dickens have really owed their
place by the fireside, not to the fact that they were humorous,
but to the fact that they were serious, that all their jokes were
bubbles upon a great sea of sympathy.  Without this assurance,
the human soul is more chilled and homeless in the world of pure
humour than in the Arctic circle.  There are few of us who would
not prefer to find ourselves in the deepest of Dante's hells,
throttled in the ice among the traitors, to finding ourselves
in a world such as that which is eternally renewed by the new
comic papers, with their men who care for nothing but dancing
girls and their dancing girls who care for nothing but money.
In the circle of the traitors, amid the black and crushing
memories of perjury and oppression, it might be possible to pass
a thousand years with the hope that some mellow and generous memory
might awaken for a moment in the heart of one of the damned.
But the world of pure levity is a world by itself; its bloodless
and godless inhabitants have never had any serious moments,
and to a man with any human capacity for joy their faces are all
as strange and cruel as those of invaders from some other planet.
To dream of such a world of unremitting and inevitable jest
and luxury would be an atheistic nightmare from which a man
might with a good deal of relief awake to be hanged.

                                            The Speaker, August 10th, 1901

THE ANATOMY OF THE JOKE

There is nothing comic about a falling tree.  There is nothing really
funny about a falling star.  And there is very little amusement
to be got out of a falling thunderbolt, unless it knocks over some
carefully selected and suitable person; such as a sociologist proving
that he can foresee all future eventualities or an astronomer disproving
the existence of thunderbolts.

In short, a falling star is not fantastic, but a falling man is,
or can be, fantastic.  Why?  I do not believe the question
can be fully answered, for the same reason that I do believe
the current answers are wrong; because it lies deep in the
mysterious matter of what did really happen when man received
or evolved the mind that sunders him from the beasts and birds.
But I will throw out a few vague suggestions about the proper
direction of inquiry.

Man himself is a joke in the sense of a paradox.  That there
is something very extraordinary about his position, and therefore
presumably about his past, is the clearest sort of common sense.
Alone of all creatures he is not self-sufficient, even while
he is supreme.

He dare not sleep in his own skin; he cannot simply put his own
food into his own stomach.  He has to put the latter first into
an oven and cover the former first with external and foreign hair;
always sleeping in somebody else's skin.  In one sense he is
a cripple amongst the creatures; he is at once imperfect and
artificial like a monster with two glass eyes and two wooden legs.
He is propped upon crutches that are called furniture; he is patched
and protected with bandages that are called clothes.

Properly visualized, he is grotesque, not when he sits on a hat,
but when he allows a hat to sit on him.  Properly understood,
he is not so ridiculous when he sits on a hat as when he sits
on a chair; for then he is acting like some monstrous sort of
crippled quadruped and equipping himself with four wooden legs.
Why the lord of creation is a cripple in this queer sense is
an open question; but some maintain that it is because he once
had a bad fall.

Now this humorous human quality can, as a matter of fact, be much
more easily connected with this old idea of a fall of man than
with the current and conventional ideas about the evolution of man.
To begin with, the explanation, whatever it is, must be some thing
more or less peculiar to man.

Those who have heard the hyena laugh will not admit that his laughter
would add much to the mirth of a happy fireside.  The fantastic shapes
of the other animals are only fantastic as mirrored in the mind of man.
In this sense we may say that the camel's hump and the rhinoceros'
horn are human secrets and even human possessions; and that we know
the pelican and the penguin better than they know themselves.

To all appearance the animal world is unconscious of the grotesque;
and considered in the light of mere animal evolution, there is hardly
anything grotesque about their innocence.

But let us entertain, merely as a hypothesis and without any reference
to doctrinal details or applications, some such supposition as this.
That at some time in the unknowable past the creature that has
become man received some sort of shock or revelation, by the
expansion of his own or the visitation of other psychical forces,
whereby he gained a sense of a separate and more divine destiny;
that he afterwards lost this direct vision and lived on a lower plane,
so that he was haunted with a curious sensation that the accidents of this
world are in a sense alien to him, while their very inappropriateness
is mixed with some memories of happiness and some hope of recovery.
To put it shortly, he is in a sense pleased to be the only creature who
is in the wrong place, while all other creatures are in the right one.

It seems to me that the problem of humour presents one primary
condition and difficulty which divides it from most others.
It seems to me quite clear that the process which ends
in a joke necessarily begins with a certain idea of dignity.
The dignity is in some way implied beforehand.  Beauty or knowledge
might conceivably break on a person without previous implications.
But incongruity cannot break on him without the pre-existence or
pre-supposition of something with which it fails to be congruous.
So far as one can see, that pre-supposition is of something erect and,
as it were, respectable about the station or stature of humanity.

We think the projection of an elephant's trunk grotesque
because it is near enough to being a caricature of a man's nose.
We do not think the projection of a precipice grotesque because it
is not near enough to imply any comparison with humanity at all.

The more this dark matter is independently considered,
the more, I think, we shall find this human standard,
as of an erect figure, dominating it like a statue.  All depends
on this dim or fantastic tracing everywhere of the image of man;
and I believe the key is somewhere in that mysterious oracle
which identified it with the image of God.

                                        Hearst's International, June, 1922

PUNCH AND JUDY

There is something which is popular and still poor.
There is something that is successful and yet bankrupt.
There is a drama before the public which the public always applauds.
It has run for a million nights and still it does not pay.
That is a case for municipal enterprise.  I propose that Punch
and Judy should be put on the rates.

I have heard the oddest things said about Punch by literary men.
I have heard him called Pagan.  I have heard him degraded
to the level of the Superman.  Surely, however, it is obvious
that Punch is the most Christian of all possible figures.
Punch is Christian because Punch is grotesque.

The one thing that we have all forgotten about Mr Punch is
the one thing that our fathers made most prominent--his hump.
The victories of Punch are, indeed, the victories of a
violent person, but they are the victories of a hunchback.
That is, they are the victories of a grotesque cripple.
No human being of any imagination ever took the smallest interest
in the victories of the strong.  It is only the victories
of the weak that can be interesting.  And all the victories,
almost literally without exception, which humanity has
celebrated at all, have been the victories of the weak--
the weak in size, as in Jack the Giant-killer; or in numbers
as at Marathon or Thermopylae; or in station and obvious chances,
as in Cinderella or modern socialism; or in bodily defect,
as in the blind Samson or the hump-backed Punch.

There are, indeed, human stories like that of Samson, of a man
stronger than any other individual man.  But there are no stories
of this strong man conquering another weaker man and exulting
in his strength ... Strong as he is, his enemy must be stronger
than he.  And this is obviously the real meaning of Mr Punch.
The whole point of the drama is that one highly ridiculous person
with a hump is a match for all the organized forces of society,
including the Beadle and the Hangman.  The emphasis is not on
the fact that he claims victory or has a right to expect it;
the point is that he does not expect the victory, but does get it.
The whole point of the story is that of a forlorn hope.
The whole point is not that Punch puts his foot down, but that
he has his back to the wall ...

But the moral claim of Punch and Judy, though obvious,
is not its only claim.  Artistically it represents something
sadder than a lost art; it represents a frustrated art.
The technical conception of the whole thing, that of managing
a dolt with the thumb and two fingers, is exactly one
of those direct arts that ought not to be allowed to die.
It is probably as subtle as fencing, which is also chiefly
managed by the thumb and forefinger.  There must be men who can
do it, undeservedly starving amongst men who cannot do it.
The ragged English Punch and Judy is infinitely superior
(on the first principles of art) to the elaborate and civilized
Italian system of marionettes.  Marionettes are mechanism,
like mere trains and telephones.  Punch and Judy is manual labour;
it is in a strict sense handicraft.  The man works this thing--works it
by personal and vital gestures--as if he were himself the actor.
It is his own right hand that has become to him a separate person.
It is his right hand that has lost or has not lost its cunning.
It is his right hand that has taught him terrible things.
And when he lifts the three fingers that make a doll into a man,
he is lifting the same three fingers that all High Pontiffs
have lifted in benediction.

If Punch and Judy is permitted to die, there will die with it
three things.  First, a genuine historic survival of the old
Christian farce, in which the clown or fool always had
the best of everybody.  Secondly, there will die a definite
mode of dexterity; one which could be applied to a hundred
other hearty pantomimes besides this of Punch and Judy.
Thirdly, it will mean the disappearance of a great pleasure
of the poor.

                                            Daily News, October 26th, 1907

PUNCH AND JUDY, II

The art of the Punch and Judy show, like the art of the old guilds,
is a handicraft.  It is that low thing called manual labour,
like the work of the sculptor, the violinist and the painter
of the Transfiguration.  The interest of it lies in the fact
that the only instrument really employed is the hand,
and the costume of the comic figure is merely a kind of glove.
Everything is done with these three fingers, or rather
two fingers and a thumb, with which, in fact, all the
mightiest or most ingenious works of man have been done.
Everything turns on the co-operation of that trinity of digits:
the pen, the pencil, the bow of the violin, and even
the foil or the sword.  In this respect Punch and Judy
has a purity and classical simplicity as a form of art,
superior even to what is more commonly called the puppet show--
the more mechanical system of marionettes that work on wires.
And there is this final touch of disgrace in the neglect of it:
that while marionettes are mostly a foreign amusement, Punch has
become a purely English survival.  It is very English, it is
really popular, it is within the reach of comparatively poor men.
Who can wonder that it is dying out?

                                Illustrated London News, October 8th, 1921

THE SAINT AND THE DRAGON

The primary things in the universe, before all letters and
all language, are a note of exclamation and a note of interrogation.
The very shapes of them are startlingly symbolic; the first
straight and simple, the second crooked and looking like a sneer.
The note of admiration is Man, erect and wondering,
worshipping the wonderful sky.  The note of interrogation is
the only thinking thing that was with him in Eden from the first.
The note of interrogation is the Serpent, curved and at
once cowering and insinuating.  The first appreciates;
the second depreciates.  The two have been allegorized and
repeated in every bewildering blazon of mythology and heraldry.
St George was the note of admiration; he was Adam in armour.
The dragon was the note of interrogation gorgeously engraved,
like a capital in a Gothic missal.  They have come together
in many ages with the sound of steel, the, straight swords
of simplicity and the curved scimitars of scepticism;
nor has there been any other battle since the beginning
of the world.

                                                Daily News, July 8th, 1905

A UNIVERSAL RELEVANCE

You cannot evade the issue of God; whether you talk about pigs
or the binomial theory, you are still talking about Him.
Now if Christianity be ... a fragment of metaphysical nonsense
invented by a few people, then, of course, defending it will simply
mean talking that metaphysical nonsense over and over again.
But if Christianity should happen to be true--that is to say,
if its God is the real God of the universe--then defending it
may mean talking about anything or everything.  Things can
be irrelevant to the proposition that Christianity is false,
but nothing can be irrelevant to the proposition that Christianity
is true.  Zulus, gardening, butchers' shops, lunatics asylums,
housemaids and the French Revolution--all these things not
only may have something to do with the Christian God, but must
have something to do with Him if He really lives and reigns.

                                           Daily News, December 12th, 1903

CREEDS AND COBWEBS

People talk nowadays of getting rid of dogmas and all
agreeing like brethren.  But upon what can they all agree
except upon a common dogma?  If you agree, you must agree
on some statement, if it is only that a cat has four legs.
If the dogmas in front of you are false, get rid of them;
but do not say that you are getting rid of dogmas.
Say that you are getting rid of lies.  If the dogmas are true,
what can you do but try to get men to agree with them?

Nevertheless there is something deeper behind the rather
vague attack on dogma which is widespread in our world.
I think what the honest anti-dogmatists really mean about dogma
is something like this:  it is quite true that when one is
talking to simple people such as children or the very poor,
one does not repeat theoretic dogmas in their very theoretic form.
One does not use frigid and philosophical language.
One does not, in short, define the dogma.  But let no one suppose
that one is any the less dogmatic.  For the simple truth is that,
instead of defining the dogma, we simply assume the dogma.
A mother does not say to her child, `There is a personal God,
the moral and intelligent Governor of the universe'.
She says, `God will be pleased if you are good'.
She is quite as dogmatic as a college of theologians.
Nay, she is more dogmatic, for it is more dogmatic to assume
that a dogma is true than to declare that a dogma is true.
But she is certainly simpler and better adapted to looking
after babies than a college of theologians would be.
And from this fact flows a singular consequence.
It does often happen that the more good or innocent a man is,
the more he imagines that he is undogmatic.  The truth is that,
so far from being undogmatic, he believes his dogmas so implicitly
that he thinks that they are truisms....

But if there is one thing psychologically certain, it is that men
cannot live wholly by instincts, even wholesome instincts.
Men must have theories--even to build a wall.  It is neither
respectful to them, nor dignified in us, that we should always
dance round them and implore them to accept our creed.
They will find the truth, as we have found it, who deserved
it so much less.  And the truth is that a man's philosophy
of the cosmos is directly concerned in every act of his life.
Call theories threads of cotton; still the strain of life is on
those threads Call the metaphysics of free will a mere cob-web;
still in the hour of temptation everything will hang on
that cob-web. Call the mystical nature of man a mere fancy;
the time may come when nothing but that prevents you from
shooting a nigger.

                                           Daily News, February 13th, 1906

A PLEA FOR POPULAR PHILOSOPHY

What modern people want to be made to understand is simply that all
argument begins with an assumption; that is, with something that you
do not doubt.  You can, of course, if you like, doubt the assumption
at the beginning of your argument, but in that case you are beginning
a different argument with another assumption at the beginning of it.
Every argument begins with an infallible dogma, and that infallible dogma
can only be disputed by falling back on some other infallible dogma;
you can never prove your first statement or it would not be your first.
All this is the alphabet of thinking... And it has this special
and positive point about it, that it can be taught in a school,
like the other alphabet.  Not to start an argument without stating
your postulates could be taught in philosophy as it is taught in Euclid,
in a common schoolroom with a blackboard.  And I think it might
be taught in some simple and rational degree even to the young,
before they go out into the streets and are delivered over entirely
to the logic and philosophy of the Daily Mail.

Much of our chaos about religion and doubt arises from this--that our
modern sceptics always begin by telling us what they do not believe.
But even in a sceptic we want to know first what he does believe.
Before arguing, we want to know what we need not argue about.
And this confusion is infinitely increased by the fact that all
the sceptics of our time are sceptics at different degrees of
the dissolution of scepticism....

Now you and I have, I hope, this advantage over all those
clever new philosophers, that we happen not to be mad.
All of us believe in St Paul's Cathedral; most of us
believe in St Paul.  But let us clearly realize this fact,
that we do believe in a number of things which are part
of our existence, but which cannot be demonstrated.
Leave religion for the moment wholly out of the question.
All sane men, I say, believe firmly and unalterably in a
certain number of things which are unproved and unprovable.
Let us state them roughly.

(1) Every sane man believes that the world around him and
the people in it are real, and not his own delusion or dream.
No man starts burning London in the belief, that his servant
will soon wake him for breakfast.  But that I, at any
given moment, am not in a dream, is unproved and unprovable.
That anything exists except myself is unproved and unprovable.

(2) All sane men believe that this world not only exists, but matters.
Every man believes there is a sort of obligation on us to interest
ourselves in this vision or panorama of life.  He would think a man
wrong who said, `I did not ask for this farce and it bores me.
I am aware that an old lady is being murdered down stairs, but I am
going to sleep.'  That there is any such duty to improve the things
we did not make is a thing unproved and unprovable.

(3) All sane men believe that there is such a thing as a self or ego,
which is continuous.  There is no inch of my brain matter the same
as it was ten years ago.  But if I have saved a man in battle
ten years ago, I am proud; if I have run away, I am ashamed.
That there is such a paramount `I' is unproved and unprovable.
But it is more than unproved and unprovable; it is definitely
disputed by many metaphysicians.

(4) Lastly, most sane men believe, and all sane men in practice assume,
that they have a power of choice and responsibility for action....

Surely it might be possible to establish some plain, dull statement
such as the above, to make people see where they stand.
And if the youth of the future must not (at present) be taught
any religion, it might at least be taught, clearly and firmly,
the three or four sanities and certainties of human free thought.

                                               Daily News, June 22nd, 1907

RUBBISH

This title, however true, is not a mere explosion of my literary modesty.
It refers, not solely to the article itself, but also to a superb
pile of wood, straw, tar, paper and every random substance which is
erected in a field just beyond the end of my garden.  It is, as you
may guess, a Coronation bonfire; but we remote rustics have to write
our articles months, so to speak, before the actual Coronation,
and the pile is at present, unfinished and indeed deficient.
I have ransacked house and garden for some time to find rubbish
to assist the conflagration; and my eye has suddenly fallen
on a pile of fine old quarterlies, works on agnosticism, etc.
These I am carrying across to the bonfire.  Do not fancy that
when I speak of rubbish, I mean only the things that I dislike.
I mean a particular kind of vagueness and verbiage which must be cut
away and cleared before a man can deal with his real adversaries.
I do not call Socialism rubbish; I call it a very powerful,
plausible and dangerous drug.  I do not call Imperialism rubbish;
I call it poison.  But I do call `true Imperialism' rubbish and
`true Socialism' rubbish, for they amount to nothing more than a mild
Pharisaism about one's own marvellous merit in loving one's country
or being sorry for the poor.  Nor would I treat as rubbish anything,
how ever alien or fantastic, which had a positive significance
of any sort.  I would not throw into my bonfire the Crown of France
or the Koran or the Lord's Day Observance Act or the Stuart tartan.
I should not see mere rubbish in things that meant something,
even if we cannot now decipher what it was, as in obscure and perhaps
frightful figures and legends that crumble on Assyrian bas-reliefs
in Bloomsbury, or in that ring of rock that stands over Salisbury Plain
like stones in the crown of some primordial king of giants.
Nor again would I class as rubbish (in this sense) those other examples
in which we can decipher the statements and see that they are untrue;
as in the case of the Monument in Fish Street or the scientific
works of Mr Haeckel.

But I mean things that never meant anything; I mean
the states manlike pronouncements, the wide outlooks and the
well-considered conclusions; I mean whole shelves of Hansard
and whole stacks of the Higher Thought Review; all the leading
articles that oscillate faintly between two unimportant opinions;
all the public speakers who are `far from saying' this or `the
last to say' that; all the servile compromises justified
by `evolution'; all the things that `every thoughtful man'
is supposed to think; all the things `modern ideas' are supposed
somehow or other to involve; all the owlishly stupid `rebukes'
and `severe comments' uttered by judges and statesmen in
utterly artificial wrath against utterly insignificant things;
all the streams of sentimentalism poured out when you turn the tap,
in defence of the dirtiest convenience or the dullest hack politics;
all the consciousness of the solemnity of the responsibility,
all the realization of the reality of the tendency; in short,
all that grows in that wilderness of pride and folly,
where pomposity grows like tall grass and polysyllables crawl
about like caterpillars....

But I must break off; because I have to carry all my modern problem
novels and books of philosophy and high-class quarterly magazines
across to the bonfire beyond the end of my garden.

                                               Daily News, June 24th, 1911

NO SUCH THING

Educational conferences are always interesting for the simple reason
that under the title of Education you can discuss anything whatever
that comes into your head.  This is the main fact which, in spite
of all the talk on the subject of education, no one seems to notice
in connection with it.  The chief thing about the subject of education
is that it is not a subject at all.  There is no such thing as education.
The thing is merely a loose phrase for the passing on to others
of whatever truth or virtue we happen to have ourselves.
It is typical of our time that the more doubtful we are about the value
of philosophy, the more certain we are about the value of education.
That is to say, the more doubtful we are about whether we have any truth,
the more certain we are (apparently) that we can teach it to children.
The smaller our faith in doctrine, the larger is our faith in doctors.

Hence, I believe that the whole business of modern education
is an immense imposture or convention, an excuse for grown-up
people talking about large matters at large.  The poor wretches
are forbidden in our time to have a proper human religion;
that which they ought to discuss in the form of theology
they are driven to discuss under the disgusting excuse
of education.  Talking about serious questions is a pleasure;
it is perhaps the greatest mere pleasure known to man.
Even devils (as Milton truly perceived) would discuss theology.
But in our time it is a secret pleasure; it is enjoyed
in dark corners, like a vice.

I need hardly say that the fact that education allows of a man
discussing anything is the reason why I have put it first.
The actual text which caught my eye and revealed the vagaries
and various possibilities of the theme was the report of
the Conference of Head Teachers at which Professor Muirhead
lectured on Moral Instruction.  The phrase Moral Instruction
is generally used, of course, with reference to such a
programme as that advanced by the Moral Instruction League;
it is generally used as signifying the proposal to substitute
certain ethical lessons for the religious instruction
(somewhat dim and dubious as it is) which is given in most schools.
So far as this meaning is concerned, my own position is
a simple and, I hope, an inoffensive one.  I even offer
a compromise or bargain, exactly as if I were a politician.
I am quite prepared to promise the secularists secular education
if they on their side will promise (on the tombs of their mothers)
not to have moral instruction.  Secular education seems to me
intellectually clean and comprehensible.  Moral instruction
seems to me unclean, intolerable; I would destroy it with fire.
Teaching the Old Testament by itself means teaching ancient
Hebrew ethics which are simple, barbaric, rudimentary, and,
to a Christian, unsatisfying.  Teaching moral instruction
means teaching modern London, Birmingham and Boston ethics
which are not barbaric and rudimentary, but are corrupt,
hysterical and crawling with worms and which are,
to a Christian, not unsatisfying but detestable.  The old Jew
who says you must fight only for your tribe is inadequate;
but the modern prig who says you must never fight for anything
is substantially and specifically immoral.  I know quite well,
of course, that the non-religious ethics suggested for modern
schools do not verbally assert these things; they only talk
about peaceful reform, true Christianity and the importance
of Count Tolstoy.  It is all a matter of tone and implication;
but then so is all teaching.  Education is implication.
It is not the things you say which children respect; when you
say things, they very commonly laugh and do the opposite.
It is the things you assume that really sink into them.
It is the things you forget even to teach that they learn.

Churches, philosophies, sects, social influences, all educational
authorities have disagreed, have distorted each other's meaning,
have destroyed each other's proposals, in this matter of education.
But here I hope I offer a peaceful proposition on which all
churches and all philosophies can agree.  I am the bearer
of the only real olive-branch. All educational authorities
can agree upon the simple proposition that I lay down.
There is no such thing as education.  Education does not exist.
That will indeed be a blessed gospel to spread through the modern
world and even my feet will be beautiful upon the mountains when I
proclaim it.  For indeed this is the nearest statement of the truth.
There is no education apart from some particular kind of education.
There is no education that is not sectarian education.

                               Illustrated London News, January 12th, 1907

THE PROTECTION OF THE BIBLE

It is a matter of great gratification that an official voice in
practical education has spoken in favour of that exclusion of all
theologies from the national schools for which many have long pleaded.
It is a policy promoted, generally speaking, by the most lucid
and magnanimous of all parties.  Some, and I am one of them, do not
wish theology to interfere with education.  Some, and I am again one
of them, have the greatest horror of education presuming to interfere
with theology, which is so much more living and exciting a subject.
And a very interesting question is undoubtedly raised by the distinction
between the teaching of theology and the teaching of the Bible.
The question of whether the Bible can be taught merely as
literature is a question that raises the whole riddle of things
that have two meanings, a big meaning and a small meaning.
Can the Koran be treated as literature?  Yes, anywhere except in Islam.
Can the Bible be taught as pure literature?  Yes, anywhere except
in a Protestant country.

There are several popular misconceptions about this educational aspect
of Scripture.  One quite curious mistake is this.  It is always
somehow assumed that, if the Bible is taken out of the schools,
it will be taken out in the interest of those who do not believe in it.
This is a complete mistake.  Those who do not believe in it
are exactly the people who have no reason to object to it.
It is the people who do believe in it who have a right to get restless.
A reasonable Freethinker need not have the faintest objection
to his child learning a chapter of Isaiah merely as literature.
In so far as he is reasonable, he will agree that it is literature,
and in so far as he is a Freethinker he will agree that it is literature.
The man who is hardly used by such teaching of the Bible is precisely
the orthodox man, the man to whom Isaiah means first and foremost
the blood-stirring prophecy of a world-shattering event.
I should not mind my children learning Icelandic folklore.
Nor should I mind them learning Jewish folklore--if it is only folklore.
I should not mind my children being told about Mahomet, because I
am not a Mohammedan.  If I were a Mohammedan, I should very much
want to know what they were told about him.

Therefore I sympathize with secular education, but not
because my sympathy is with the new-fashioned Puritan
who wishes the Bible to be treated as literature.
My sympathy is with the old fashioned Puritan who does not want
the Bible to be treated as literature, because he happens
to to have a religion which is about the most interesting
thing a man can have.  It is the old-fashioned theologians
who ought to insist on secular education.  It is the orthodox
Puritans who ought to want the Bible kept out of the schools.
The truth can, indeed, be put in a kind of dilemma.
Either the Bible must be offered as something extraordinary or as
some thing ordinary.  If it is offered as something extraordinary,
that is certainly unfair to the agnostics and the doubters.
If it is offered as something ordinary, that is grossly
and atrociously unfair to the theologians and the believers.
... The Bible compromise is false both to the civic idea
of liberty and to the Protestant idea of the Bible.

                                              Daily News, April 17th, 1909

SPIRITUALISM

We are told today that we should be better for a religion
without a theology.  I believe our brains would be the better
even for a theology without a religion.

The special mark of the modern world is not that it is sceptical,
but that it is dogmatic without knowing it.  It says, in mockery
of old devotees, that they believed without knowing why they believed.
But the moderns believe without knowing what they believe--
and without even knowing that they do believe it.
Their freedom consists in first freely assuming a creed,
and then freely forgetting that they are assuming it.
In short, they always have an unconscious dogma; and an unconscious
dogma is the definition of a prejudice....

The debate on the ethics of Spiritualism is a strong example of this.
The Spiritualists act upon a dogma, which they cannot
state dogmatically; and therefore only assume dogmatically.
Most Anti Spiritualists also, I may add, assume a dogma without
knowing it--and a much staler and stupider dogma at that.
But the point here is that they differ from the old creeds
in never being stated clearly as creeds.  What a Spiritualist
assumes is practically this; it is not merely the existence
of spirits, but the non-existence of evil spirits--
or at least of the extreme evil done to us by evil spirits.
To put it popularly, Spiritualists are optimists about the
spiritual world.  The Puritans and the people of the seventeenth
century generally were pessimists about the spiritual world.
They thought it a thousand to one that anybody dealing with
spirits was dealing with bad spirits.  Hence, they turned
even the worst sort of witch-burning from murder to massacre.
These were very appalling deductions from one axiom that human
nature is nearer to wicked spirits than to good ones.
But at least the Puritans could state their pessimistic axiom
as an axiom.  The Spiritualists cannot state their optimistic
axiom as an axiom at all; they do not even know it is optimistic.
They simply feel it unconsciously as the spirit of their time--
that is, as something not even as solid as climate, but rather
as fickle as the weather.

Now the main objection to Spiritualism is almost identical
with the claim of Spiritualism.  The objection is that it
puts a man under the control of spiritual forces,
or that it brings him in contact with the unknown.
In fact, it is almost impossible to find any commendation
of such a belief in spirits which will not serve as a
condemnation in the mouth of those who believe in bad spirits.
The very words `medium' or `control' will indeed affect many
of us as immoral words--I might say indecent words.  They imply
a spiritual surrender which is dubious even if the in be good,
and shocking if it be bad.  Now it certainly is not self- evident,
from the analogy of all we know, that it cannot be bad.
... That the investigators do not insist on this danger,
or do not insist on it as dangerous, is simply due to
that forgotten first principle to which I have referred.
The Spiritualists are forbidden to accept the deduction from
the Spiritualist parallel because it would involve a denial
of the spiritualist dogma.  And it is none the less felt
as an infallible dogma because it is an unconscious dogma.
... If a man's view of the universe allows him to be the medium
of he knows not what and under the control of he knows not whom,
let him say so and state his view of the universe clearly,
like his fathers before him.  Then at least he will not fall into
a mere slush of likes and dislikes, and choose to fancy angels
only with white wings because he prefers them to black ones.

                                 Illustrated London News, March 15th, 1919

THE ENGLISHMAN'S RELIGION

... that queer, beautiful, laughable thing, the English religious feeling,
so hazy, so reverent, so illogical, so humane, so kindly, so vulgar.

                                             The Bystander, June 1st, 1904

THE ENGLISH WAY

No one can understand the nature of England or of English
politics who does not realize that this island of ours is
and always has been covered with a kind of beautiful cloud.
No one can be good critic of England who does not understand fogs.
And no one can be a really patriotic Englishman who does not like fogs.
Of all national histories, the history of England must be the hardest
to write, for the English, with all their great epochs, not only did
not know what they were doing, but, so far as one can make out,
did not want to know what they were doing.  They always did
a thing in such a way that a hundred years afterwards it could
be maintained that they had done the precise opposite.  They always
said a thing in such a way that it could mean something different.
This was not craft ... It was their ingrained poetry.

There are no people so poetical as the English, no people
that are so full of a sense of vague distances and perspectives;
there are no people so full of a certain fine formless sentiment.
They see all things melting into one another like the mists
of their northern sky; the Latin sees everything as clear cut
as the crests of the Alps against the hard blue enamel of heaven.
The English law, for instance, is uncommonly like an impressionist
picture of a rainy day.  The Code Napoleon is like a coloured
photograph of Rome.

The haphazard, hand-to-mouth quality both in our legislation and our
judicature is partly, no doubt, the result of selfish aristocratic raids
and intrigues, but is still more the result of a certain dim kindliness,
a sort of desperate kindliness, living in the heart of a confusion
and never daring to trust itself to a general rule.  This quality
of a humane vagueness has made inexpressibly difficult the study of
all the great European crises in their particular effect on England.
It is grasped that what was in other countries a revolution was in
England commonly a compromise.  But in England commonly it was more than
a compromise; it was a riddle.  The Reformation came, for instance.
Scotland went Protestant; Ireland went Catholic; England went something
or other, but what no modern historian can perfectly demonstrate.
Englishmen argued with each other, burnt each other, set up and pulled
down kings, but all in such a manner as to leave it reasonably
doubtful in the twentieth century whether anything happened at all.
... There is something wholly English and quite unexplainable about
this innocent juggling; this calm and beneficent humbug.

                                              Daily News, March 16th, 1905

HIGH OR LOW?

The one thing that the modern English will not understand is that
when you have lost your way quite hopelessly, the quickest thing is to go
back along the road you know to the place from which you started.
You may call it reaction, you may call it repetition, you may call
it tiresome theory, but it is the quickest way out of the wood.
No Ritual Commissions and no other kind of Commissions ever do
the least good, because they will not step back to the first facts
of the situation.  Now the first facts are never material facts.
The invisible always comes before the visible, the immaterial
before the material, even in our everyday experience ... The modern
English will never settle their problems until they under stand
that the shortest cut to the practical is through the theoretical;
and there could not possibly be a stronger instance of it than
the instance of ritualism and the Ritual Commission.

The whole point of the quarrel about ritualism is very simple;
it is that it is not a quarrel about ritualism at all.
Nobody can quarrel about ritualism.  If a gentleman, instead of
offering me his hand, offers me his foot, explaining at the same
time that to him this rite has the same meaning as hand-shaking,
I may regard him as amusing, but certainly not as wicked.
But if I am offended at such an act, it is because the sudden
waving of his foot in the air does not immediately convey
its meaning, but may even be regarded by the over-sensitive
as a sort of symbolic or non-effective kick.  In the same way,
nobody cares one atom what any clergyman does in his church
.... All that any of them care is what a clergyman means.
He might have, not two but two hundred candles on the altar if the altar
did not mean something--that is if the altar were not an altar.
The clergyman might wear six copes and seven mitres if he were wearing
them merely as his private taste in the matter of a suit of clothes.
In a word, ritual is not even ritual without the question of doctrine.
And doctrine, I believe, the Commission was not allowed to discuss.

The ultimate problem about the Church of England is not easy
to settle, but it is easy enough to state, and these Commissions
have never even heard it stated.  It is that a quarrel exists
in the Church of England very unique in human institutions.
The Church of England is quarrelling about what the Church
of England is.  The House of Commons is quarrelling about
what the House of Commons shall do.  The House of Lords
is quarrelling about what the House of Lords shall do.
Even a private ship quarrels about what it shall do; it does
not quarrel about whether it is a private ship or a missionary
boat or a man of war.  Even a band of robbers quarrels
about what it shall do; it does not quarrel about whether it
is an omnibus company or a plumbers' union.  But the quarrel
in the Church of England is not about what it shall do;
it is about what it shall be--indeed, about what it has been.
Does its whole authority lie in being a branch of the
Catholic Church?  Or does its whole authority lie in being
a protest, a part of the great sixteenth-century protest,
against that Catholic Church?  All commissions are useless which
attempt to discuss what it does, without discussing what it is.
Until this first question is settled, it is as childish to discuss
a clergyman's vestments as to discuss his wall paper.

                                  Illustrated London News, July 14th, 1906

STRAIGHT THINKING

Logic and truth, as a matter of fact, have very little to do
with each other.  Logic is concerned merely with the fidelity
and accuracy with which a certain process is performed, a process
which can be performed with any materials, with any assumption.
You can be as logical about griffins and basilisks as about sheep
and pigs.  On the assumption that a man has two ears, it is good logic
that three men have six ears, but on the assumption that a man has
four ears, it is equally good logic that three men have twelve.
And the power of seeing how many ears the average man,
as a fact, possesses, the power of counting a gentleman's ears
accurately and without mathematical confusion, is not a logical
thing but a primary and direct experience, like a physical sense,
like a religious vision.  The power of counting ears may be limited
by a blow on the head; it may be disturbed and even augmented
by two bottles of champagne; but it cannot be affected by argument.
Logic has again and again been expended, and expended most
brilliantly and effectively, on things that do not exist at all.
There is far more logic, more sustained consistency of the mind,
in the science of heraldry than in the science of biology....
There is more logic in Alice in Wonderland than in the Statute Book
or the Blue Books.  The relations of logic to truth depend, then,
not upon its perfection as logic, but upon certain pre-logical
faculties and certain pre-logical discoveries, upon the possession
of those faculties, upon the power of making those discoveries.
If a man starts with certain assumptions, he may be a good
logician and a good citizen, a wise man, a successful figure.
If he starts with certain other assumptions, he may be an equally
good logician and a bankrupt, a criminal, a raving lunatic.
Logic, then, is not necessarily an instrument for finding truth;
on the contrary, truth is necessarily an instrument for using logic--
for using it, that is, for the discovery of further truth and
for the profit of humanity.  Briefly, you can only find truth
with logic if you have already found truth without it.

                                            Daily News, February 2nd, 1905

A MAN OF DISTINCTION

It is obvious that there fell with Arthur Balfour one of the few
remaining pillars of that old patriotic aristocracy which not only
governed England but practically was England, so far as England
was a personality dealing personally with other nations.
It is one of the paradoxes, so typical of England, that many of the men
who thus understood and summed up her policy came from Scotland.
It has been said that it requires a surgical operation to get a joke
into the head of a Scotsman.  I wonder no Scotsman has retorted,
what would often be more correct, that it requires a surgical
operation to get a serious idea into the head of an Englishman.
When it happened, the operation was often performed by a Scotch surgeon.
The English squire was an unconscious aristocrat; the Scotch laird
was a conscious aristocrat; and Lord Balfour, with all his social
grace and graciousness, was conscious and even self-conscious.
But this was only another way of saying that he had a mind which
mirrored everything, including himself and that, whatever else he did,
he did not act blindly or in the dark.  He was sometimes quite wrong;
but his errors were purely patriotic, both in the narrow sense of
nationalism and in the larger sense of loyalty and disinterestedness....
He was a man of strong and stoical character and nothing
showed the falsity of political journalism so much as the legend
which represented him as a drooping aesthete or a broken lily.
In some ways he seems to me to have been too good a Stoic to be
entirely a good Christian; or rather (to put it more correctly)
to feel, like the rest of us, that he was a bad Christian.
But about his virtues, both public and private, there can be no doubt,
for they contained great elements that stood out as rather unique
in his time.  Courage, dignity, self-control, these were much more
the essentials of his character than the social elegance and suavity
attributed to him by all his critics and some of his admirers.
There was much more in him of the Scotch Puritan than of
the English Cavalier.

But he made one great contribution to modern politics which it
will be well to understand because it was entirely misunderstood.
It is supremely characteristic of the present Parliamentary atmosphere
that everybody accused Lord Balfour of incomprehensible compromise
and vagueness because he was completely logical and absolutely clear.
Clarity does look like a cloud of confusion to people whose minds
live in confusion twice confounded.  What is called the modern
mind is soaked in associations and cannot understand distinctions,
even when they are absolutely reasonable distinctions, The people
stuffed with our journalese culture or popular science can only
understand anything in relation to `all that sort of thing';
they cannot comprehend that something a little like it is really
quite a different sort of thing.... They can understand,
to take an instance, the general tendency to put more and more
things under the control of the State and the argument which says
that as the highroad is public, so the railroad should be public;
and if the railroad, then the house and the kitchen garden
and the cat and the dog must all be owned by the public.
They can understand, and perhaps more sympathetically,
the contrary process of distrusting the State and putting things
back into private hands; first the railroad and then the road
and then, for all I know the Post Office and the Army and Navy.
They are acquainted with the sort of expanding cant that can
be used at any stage of either of these drifts or tendencies.
But if you try to point out what the wisest sages and legislators
have meant by the difference between public and private property,
if you explain that nationalizing the roads is not the same
as nationalizing the land, you will generally find that they are
merely puzzled and suppose it to be some sort of mystification--
because it is quite clear.  They cannot make out whether you are in
favour of `Socialism and all that sort of thing'.  Lord Balfour once
rent the murky sky of politics with one lightning-flash of lucidity
by giving the exact economic definition of the collectivist idea,
and then adding, `That is Socialism and nothing else is Socialism'.
It was probably regarded as one of his fine-spun evasions.

That is the intellectual virtue of which Lord Balfour really
left a valuable example.  People said his distinctions
were fine distinctions, and so they were; very fine indeed.
A fine distinction is like a fine painting or a fine poem
or anything else fine; a triumph of the human mind.
In these days when large-mindedness is supposed to consist
of confusing everything with everything else, of saying that man
is the same as woman and religion the same as irreligion,
and the unnatural as good as the natural and all the rest of it,
it is well to keep high in the mind the great power of distinction;
by which man becomes in the true sense distinguished.

                                          G. K.'s Weekly, March 29th, 1930

ST PIUS X

Among the many true and touching expressions of respect
for the tragedy of the Vatican, most have commented
on the fact that the late Pope was by birth a peasant.
Yet few or none, I think, traced that truth to its
most interesting and even tremendous conclusion.
For the truth is that the Papacy is practically the only
authority in modern Europe in which it could have happened.
It is the oldest, immeasurably the oldest, throne in Europe;
and it is the only one that a peasant could climb.
In semi-Asiatic States there are doubtless raids and usurpations.
But these are of brigands rather than peasants;
I speak of the pure peasant advanced for pure merit.
This is the only real elective monarchy left in the world;
and any peasant can still be elected to it.... Even in high
and heroic republics like those of France and of Switzerland,
can one say that the ruler is really the plain man in power?

Now all the evidence, from foes as much as friends, attests that
this really was true of the great priest who lately gave back
to God the most tremendous power in the world.  Those who admired
him most, admired the simplicity and sanity of a peasant.
Those who murmured against him most, complained of the obstinacy
and reluctance of a peasant.  But for that very reason it
was clear that the oldest representative institution in Europe
was working; when all the new ones have broken down.
It is still possible to get the strong, patient, humorous type
that keeps cheerfulness and charity alive among millions,
alive and supreme in an official institution.

As has been pointed out, with subtle power and all proper delicacy,
in numberless liberal and large-minded journals, the great
and good priest now dead had all the prejudices of a peasant.
He had a prejudice to the effect that the mystical word `Yes'
should be distinguished from the equally unfathomable expression `No'
... The Pope never pretended to have an extraordinary intellect;
but he professed to be right--and he was.  All honest atheists,
all honest Calvinists, all honest men who mean anything or believe
anything or deny anything, will have reason to thank their stars
(a heathen habit) for the peasant in that high place.
He left people to agree with his creed or disagree with it;
but not free to misrepresent it.  It was exactly what any
peasant taken from any of our hills and plains would have said.
But there was something more in him that would not have been in
the ordinary peasant.  For all this time he had wept for our tears;
and he broke his heart for our bloodshed.

                                Illustrated London News, August 29th, 1914

THE BLACK LINES

There are about as many definitions of man as there are men.
Let me, however, offer the reader another.  Man is a creature
who creates cataclysms.  Man's whole nature and object on the earth
is to draw those black lines that do not exist in inorganic nature.
He separates things and makes them special.  Take, for the sake
of an instance, the admirable and fascinating subject of meals.
A cow eats all day; its hunger, I suppose, grows gradually and
vaguely at the beginning, is slowly and increasingly satisfied,
and then gradually and vaguely dies away.  It is an evolutionist.
But man is made for revolutions, or rather he makes them;
he is formed for abrupt departures and great experiments.
He faces the cataclysm called Lunch.  It is a thing of black lines;
decisive like a religion or a rebellion.  It begins at some
time and (except in extreme cases) ends at some time.
Man makes monogamy, patriotism, oaths before magistrates,
monetary obligations, religion, honour, civic obedience,
theology, all on the same sacred principle on which he
makes lunch.  He has less, perhaps, and the cow has more.
But then he has something; and the cow only has anything.
If man were to run about on all fours eating a field full of
mutton chops, his meals would not have the meaning they have now,
a meaning of hospitality, comradeship, human symbolism.
His mutton chops would not be the mystical things that they
are at present.  Man is the animal that draws black lines.
Sometimes they are lines round a land, and they make patriotism.
Sometimes they are lines round an animal, and they make humanity.
But in all cases this is true, that men learn to love their limitations,
that men learn to love not only the picture, but the frame.
Thus artists grow fond of the fact that they are working in wood only,
or in iron only, or what not; they love the thing that isolates them.
And so those who began by loving England came to love
her frame, the sea.

                                           Daily News, September 9th, 1905

THE COSMIC STEW-POT

There has crept into our thoughts, through a thousand
small openings, a curious and unnatural idea.
I mean the idea that unity is itself a good thing; that there
is something high and spiritual about things being blended
and absorbed into each other.  That all rivers should run
into one river, that all vegetables should go into one pot--
that is spoken of as the last and best fulfilment of being.
Boys are to be `at one' with girls; ... all sects are to be `at one'
in the New Theology; beasts fade into men and men fade into God;
union in itself is a noble thing.  Now union in itself is not
a noble thing.  Love is a noble thing; but love is not union.
Nay, it is rather a vivid sense of separation and identity.
Maudlin, inferior love poetry does, indeed, talk of lovers
being `one soul' just as maudlin, inferior religious poetry
talks of being lost in God; but the best poetry does not.
When Dante meets Beatrice, he feels his distance from her,
not his proximity; and all the greatest saints have felt
their lowness, not their highness, in the moment of ecstasy.
And what is true of these grave and heroic matters (I do not say,
of course, that saints and lovers have never used the language
of union too, true enough in its own place and proper
limitation of meaning)--what is true of these is equally true
of all the lighter and less essential forms of appreciation
or surprise.  Division and variety are essential to praise;
division and variety are what is right with the world.
There is nothing specially right about mere contact
and coalescence....

In short, this vast, vague idea of unity is the one `reactionary'
thing in the world.  It is perhaps the only connection in which that
foolish word `reactionary' can be used with significance and truth.
For this blending of men and women, nations and nations, is truly a return
to the chaos and unconsciousness that were before the world was made.
There is, of course, another kind of unity of which I do not speak here:
unity in the possession of truth and the perception of the need
for these varieties.  But the varieties themselves; the reflection
of man and woman in each other, as in two distinct mirrors;
the wonder of man at nature as a strange thing at once above
and below him; the quaint and solitary kingdom of childhood;
the local affections and the colour of certain landscapes--
these actually are the things that are the grace and honour of the earth;
these are the things that make life worth living and the whole
framework of things well worthy to be sustained.  And the best
thing remains; that this view, whether conscious or not, always has
been and still is the view of the living and labouring millions.
While a few prigs on platforms are talking about `oneness'
and absorption in `The All', the folk that dwell in all the valleys
of this ancient earth are renewing the varieties for ever.  With them
a woman is loved for being unmanly, and a man loved for being unwomanly.
With them the church and the home are both beautiful, because they
are both different; with them fields are personal and flags are sacred;
they are the virtue of existence, for they are not mankind but man.

                                    T. P.'s Weekly, Christmas Number, 1910

THE SENTINEL

The great conception which lay at the back of the Hebrew and
Christian scriptures was the conception that to man had been given
a certain law, to champion which was his sole and simple business.
`He hath shown thee, O man, that which is good' is perhaps
of all earthly sayings the one which has the deepest ring;
it seems, as it were, too true and simple to be comprehended.
The stars in their courses might fight against his honour,
scientific discoveries might make the world seem more perilous
and equivocal; at the turning of a stone or the splitting of a sea beast,
the whole cosmic army might seem suddenly to desert to the devil.
But man had in his heart a secret which would outlast these things;
he had his orders; he was the sentinel of God.

                                           The Speaker, October 19th, 1901

EVERYMAN

The meanest man is immortal and the mightiest movement is temporal,
not to say temporary.

                                                Blackfriars, January, 1923

DEATH OF AN ARTIST

The first impulse of any serious person on hearing that
G. F. Watts is dead must of necessity be an impulse to say,
as we said of Gladstone, `All the great are dying'.
This is not mere journalese.  It is a genuine impression
and in one sense it is true:  there are none left who carry
themselves as these great men did.  But there is a danger
in this mode of speech, and also an error, for in it is involved
the very evil of this age, out of which its littleness comes.
There are many evils in this particular period of ours.
One of the worst, doubtless, is that we never produce great men;
but the worst of all is that we are always looking for them.
The men of the great time of Watts did not look for great men,
but for great causes; and in a great cause almost anyone
may become great.

There are none left who carry themselves as these heroes did,
because there are none left who are so indifferent to mere
intellectual eminence.  Watts and such men as he were
the children of the great republican revolution that began
the nineteenth century, which filled men with a furious belief
in humanity and was the latest of the religions of mankind.
They were great men because they did not believe in great men;
they believed in men.  They mingled in a common and equal
competition of enthusiasm for something outside individual men,
and out of that only comes real individuality.
They sought first the Kingdom of God and His righteousness;
they sought first the important things, and trifles--
such as greatness and genius--were added unto them.

We shall not again have a man of the greatness of Watts until
we have something better to think about than greatness.
One thing at any rate stands out of his whole character;
one thing must be burningly vivid to anybody who ever had,
even as briefly as I had, the honour of meeting him; that he himself
cared for the thing called greatness not a single straw.
He cared only for the spread of certain conceptions,
true or false, with which he had identified himself.. . He
belonged in this matter, beyond question, to an age of causes
and will therefore be found in this matter incredible.
If our civilization pursues its present course (which is absurd),
he will become in a very short time a heroic myth.

The note of this greatness of his was well expressed in his
artistic work, especially his artistic work in early years.
Sometimes his work was admirable, sometimes bad, but it was
always simple and it was always ambitious.  The technique
of art is so far from being immoral that a moral transition
can be quite easily deduced from it; moral changes can be seen
physically in chalk and oil.  And one great fact is this:
that all the great men younger than Watts sought to work
in a style and scheme that was of its nature transient.
They wished to decorate a room with peacocks, for rooms are tired
of and taken down, or to fill a paper with epigrams, for epigrams
are repeated nine hundred and ninety times and then forgotten,
or to effect exquisite sketches on brown paper, for these owe their
very charm to the fact that they can be thrown away like brown paper.
But Watts had the old dream of building in eternal brass;
he loved designing public frescoes, public statues, public mosaics.
There is a mosaic of his in the Whitechapel Road, a fresco
in the House of Lords, a picture in St Paul's Cathedral.
One cannot move St Paul's Cathedral as one moves the Peacock Room.
One cannot throw away the Whitechapel Road as one throws away
brown paper.  I am not saying that this monumental solidity
proves that the art is great.  But I say that it proves that
the artist is confident.

Another quality very characteristic of the atmosphere to which
Watts belonged is the quality of his moral indignation.
He always had the temper of the meliorist, whilst he had at
the same time much of the temper of the old Rousseauist optimist.
He was really angry with the evils of the modern world.
.. . In all his moral and religious allegories,
especially when they touch upon the diabolic side of things,
there is apparent this sudden and sacred impatience.
Under the picture of `Mammon', under the picture of `The Minotaur',
under the picture of anything evil in his gallery, seems printed
in letters of fire `Shall this be endured for another moment?'
And it was this innocent and startled wrath which was the note
of the whole of Watts' age, the age of the Reform Bill.
It was because the old political idealists had something of the child's
ignorance and horror of evil that they swept away so many abuses.
Compare with some picture by Watts, which is full of a young
and wide-eyed anger, some ultra-modern picture of an evil thing,
some work of the new pessimistic atmosphere.  Take, for instance, Degas'
brilliant picture called `Absinthe', which depicts two wrecks
of humanity soaking themselves in the maddening wormwood.
The picture is steeped in devilish resignation.  We feel as we
look at it that these two human creatures have drunk absinthe
from the beginning of the world and will go on drinking it
while the grass grows and until the stars fall into ruin.
Here there is no astonishment, therefore there is no indignation.
There is a thing that may truly be called religious resignation.
But there is a deeper and stiller and more terrible thing
and its name is irreligious resignation.  Because of Watts'
intensely religious nature the painting of such a picture as this
would be absolutely impossible to him.  If he had conceived
and painted `Absinthe', there would have been something fierce
and insistent about the picture.  Something fiendish and strained
in the faces would have declared that the situation was unnatural.
Something bitter and burning in the green colour of that shameful
wine would have shown like the green eyes of a witch's cat.
However dark and repulsive and merciless the picture might be,
there would be something in it that suggested that it was dark
against some white and blazing background, a background of
the astonishment of the angels and the dreadful wonder of God.

                                               The Speaker, July 9th, 1904

POETRY AND BELIEFS

You never work so well for art's sake as when you are working
for the sake of something else.  The greatest of the decadent
art-philosophers, in that admirable essay `The Decay of Lying',
described how art could take its disciple through the fires
of Dante's perdition and the lilies of Dante's beatitude.
But he forgot one point.  He forgot that Dante wrote that
prodigious thing, not, of course, believing that its story was
literally true, but believing that its philosophy was absolutely
true and that all counter-philosophies were the lies of devils.
Out of the furnace of that certainty came those tremendous things.
And, to this day, all our clever irreligious poetry is only
the echo of them.  Blasphemy itself could not survive religion;
if anyone doubts that, let him try to blaspheme Odin.
The school which held that literature could be great,
independent of convictions, has been free and running
about for some thirty years in England and forty in France.
Heaven knows its poets have not been hampered by convictions.
Has it produced any grander paganisms than that of the man
in the tomb of fire?  Has it produced any loftier defiance
of Omnipotence than that which Milton the Puritan imagined
and wrote down?  Where are the fruits of its freedom?
They are little indeed beside the fruit of that immemorial
and sublime bondage.

                                               Daily News, June 25th, 1904

TWO GREAT TORIES

Two very great men have only recently passed from us, to all
appearances very different--the one a butterfly with a sting,
the other a buffalo with a touch of attractive weakness.
But Henley and Whistler were, I believe, up to the last friends;
and it is good that they should have been friends, for of all men
on earth the most pathetic are those who, like them, have a noble
talent for finding friends and a noble talent for losing them.
Moreover, they stood together on yet greater things.
They were both representatives of that great intellectual
and artistic reaction which followed the exhaustion
of the Liberalism of the French Revolution; they were both
what an able writer some days ago called `strong Illiberals'.
They were both Tories; that is, pessimists.  Nothing strikes
one so much about the attitude of both as the fact that
a superb melancholy made it necessary for both to take
refuge in something, in something outside current life.
Henley took refuge among criminals and Whistler (less happy)
among artists; but they were both brave and sad men.
Henley as a poet was great only when he uttered the very
rhapsody of stoicism.  Whistler's whole life was a nocturne;
it was like one of his own pictures in which the darkness is lit
only with one red or lemon gleam, the Chinese lanterns of art.

Whistler and Henley, amid all their differences, had this essential
point in common--that they were both provocative, that they
both took a pleasure in putting their views in an extreme form.
This is commonly regarded in our country as a mark of frivolity,
but it is in truth a mark of faith to joke about one's convictions,
to exaggerate them as a proof of their solidity and security;
for nobody exaggerates unless he is feeling satisfied
and safe.  A man dances on a rock, not on a tightrope.
The English, however, along with their admirable virtues,
have one very impracticable delusion.  They tend to think
that an extreme course must be unreasonable and that a middle
course must be reasonable.  This, of course, depends entirely
on the nature of the proposal or proposition involved.
There are some proposals and propositions in which a middle
course is a great deal more insane than either extreme; but even
in these we tend as a nation to adopt the moonstruck compromise.
... But there have been from time to time men among us who have
felt that this worship of compromise as compromise was not
sensible in the least.  They have felt that a position was not
necessarily unreasonable because it was consistent and clear.
They have felt that a position was not necessarily reasonable
merely because it was neither fish, flesh nor herring.
They held that if a sane man had views at all, it was part
of his sanity to see the views fully and see far into them.
In short, they regarded the thing called `moderation'
as one of the cloudiest manias of the asylum.  Of these men
were Henley and Whistler.

Their main thesis was, of course, that of making art immoral
or occasionally (in the case of the more exuberant Henley)
anti-moral. As a revolt against a certain form of moral art,
common in the Royal Academy, of course they were right enough.
A picture of a kindly vicar listening to the violin-playing
of a worthy-looking country boy is doubtless evil, but not
merely because it is inartistic.  It is also evil because it
is immoral, because it is full of diabolical snobbishness
and cowardice and vulgarity and meanness of spirit.
They showed that art was immoral, but only where it happened
that morality was immoral.

In truth, the real relation between art and morals is very perfectly
exemplified in the case of Whistler and Henley themselves.
The real relation between art and morals is merely this,
that as both exist in an intelligible world, they exhibit
something of the same general laws and phenomena.
This is quite a different thing from the defence of the `anecdotal'
picture, which Whistler rightly ridiculed; to say that a picture
is a good picture because it exhibits a man giving sixpence
to a beggar is quite as absurd as to say that giving the sixpence
is wicked if it is done in a red waist coat with a purple tie.
But it may easily happen that the violation of the Divine Law
of charity may exhibit parallel symptoms on its own plane,
to the violation of God's darker or more mystic canon
against red waistcoats.

Let me give an instance.  Everyone who has ever amused himself with
black and white sketching knows that it is the instinct of the artist
to draw much more lightly and softly with a BB pencil than with an HB.
But perhaps everyone has not observed the abyss of ethical
significance in this fact, the vast effect of it on multitudinous
commandments and by-laws, its effect on the Position of Women,
on Christian Social Theory, on the late war in South Africa,
on the conception of a gentleman and on the politics of Mr Henley.
Many a careless young fellow, it may be, has retouched
a sketch with a BB without thinking of all this or at least
without thinking of it intensely and with tears.  A man draws
delicately with a strong pencil because the sense of power
makes him easy and tactful and gives a pleasure to the thought
of gaining great things at a touch, in other words, the idea
that the strong are gentle, the idea which in morals is the basis
of chivalry and charity, is not a mere sentimental patchwork;
it is an actual organic principle of existence, discoverable in
dead materials, traceable in a lead pencil and a scrap of paper.
The merciful man is not only merciful to his beast, but merciful
to his sketching-block, and in both cases because he feels his power.
And this truth applies with almost startling accuracy to the two
very men we were considering.  For this element of a powerful
mildness was the one thing lacking in Henley's ethics.
And it was the one thing splendidly present in Whistler's art.
The great painter's line was never so faint and filmy as when he worked
in charcoal or black chalk or such rich and dark substances,
capable, if necessary, of painting the hollows of Hell.
His touch on the paper was a kind of terrible caress.
He seemed at times to have brushed it only with a feather,
but the feather was in the wing of an archangel who could
have laid the world waste with the whirlwind of his wings.
Through the whole runs the great law of force and gentleness
which is the same in ethics.  Whistler the painter gives what
the healthy moralist gives--hints.

Impressionism is but Christianity [applied] to a canvas.
And this Christianity was, as I say, the one thing absent in Henley.
He had force, but never reserve force; energy but not ease.
He wrote with an iron pen, but he never seemed sure
that there was enough ink in it.  Sometimes it ended,
as such exasperating inkless pens end, with a savage scratch.
And so the two great men went on saying triumphantly to each
other and to the world that art was immoral, that ethics had
no place in it, that the true picture was only an arrangement
or a symphony.  And all the time the very arrangements and
symphonies of Whistler were sharp moral criticisms of Henley.
Every sketch and scrawl was a personal parable and the great
critic might have found in a few grey strokes on white paper
the secret of his own unhappy life.

The truth is surely that both schools, the school of the violent
ethics of Henley and the school of the touch-and-go art
of Whistler, were divided, vastly to their own detriment,
by the chaos of the Tory revival.  We live in the Tory revival.
That is to say, we live in a world in which artists care
for nothing but art, and ethicalists for nothing but ethics.
The worst of all conceivable curses has fallen upon art,
it has become solely artistic; the saddest of all damnations
has fallen upon morality, it has become purely moral.
There was a time when art and morals together were part of a great
general view of life called philosophy or religion.  The last
appearance of that universal theory was the French Revolution,
which defined the rights of man; the last appearance before
that was the Christian morality which defined his obligations.
But the supreme value of all religion has been this,
and it is a value which a man can quite easily feel,
even if he cannot admit any religious assumptions.
The historic advantage of religion was that it made every part
of a man's life, art and ethics and the rest, dependent upon
a general view of life itself.

We awake at our birth staring at a very funny place.  After serious
examination of it we receive two fairly definite impressions;
the first, delight and the second, fear.  The first leads us to dance
and kick about in the sunlight; the second leads us not to do it
too much for fear we should get sunstroke.  The first leads us,
that is to say, to institute festivals and so create art.
The second leads us to institute rules and so create morality.
One tells us that the praise of the Lord is the beginning of art;
the other, that the fear of the Lord is the beginning of wisdom.
And in the days of religion, in the days of the Catholic democracy
or the Puritan democracy, these two things, however exaggerated
in one direction or another, were still parts of a whole.
The old rules of moral observance might run to fanaticism or a
fantastic scrupulosity; but still they were the laws of God--
that is, a part of the All; the old forms and festivals
might run to the wildest pageantry and excess, but still
they were the praise of God--that is, a part of the All.
But in that great breakdown of belief which is the beginning
of the new Toryism, they have, for a sign, been totally separated.
Law has become cruel in Henley and art supercilious in Whistler--
both because they have been separated from the rest of life.
Men have become idolatrous towards these things and treated
art and morality respectively as gods.  For assuredly they
are children of God and when God has been eliminated,
they may be called, for want of anything better, his heirs.
As they look to us today with their melancholy eyes, they may be heirs;
they are certainly orphans.

                                              Daily News, August 1st, 1903

THE FALLACY OF FREEDOM

Anarchism, appeals to absolute liberty, renunciation of
limitations as such--all this is incurably futile and childish,
because it will not face a fundamental logical fact.
This fact is that there is no such thing as a condition of complete
emancipation, unless we can speak of a condition of nonentity.
What we call emancipation is always and of necessity simply the free
choice of the soul between one set of limitations and another.
If I have a piece of chalk in my hand, I can make either
a circle or a square; that is the sacred thing called liberty.
But I cannot make a thing that is both a circle and a square.
I cannot make an unlimited square.  I cannot draw an emancipated circle.
If I wish to make anything at all, I must abide by the limitations
and principles of the thing I make.... And any man who makes
anything whatever, if it be with a piece of chalk, is doing
exactly what a man does when he marries or enlists in an army.
He is courageously selling himself into a splendid slavery.
And, of course, in moral matters it is the same; there is
no lawlessness, there is only a free choice between limitations.

                                           Daily News, December 21st, 1905

LIBERTY

One of the truisms which I was taught from infancy and have
only learned in extreme old age is this; that the life
of a commonwealth is its liberty.  This very word liberty
is old-fashioned. You have hardly heard it seriously mentioned
as an ideal since the days of Byron and Miss Jane Porter.
Now the reason why people in that time talked about liberty
was quite simple; it was that they had some.  They had tasted,
they had even drunk, the dreadful wine....

I am more and more convinced that we have to ask again the old question,
`Is this a free country?'  It is still a very rich country;
it will always, I think, be a great country; it is everywhere
a humorous and in some patches a happy country; and anyhow, it is my
country and that is enough for me.  But it is not a free country.
For some time past it has been losing, first slowly but now rapidly,
the last vestiges of that particular thing called freedom.

Loyalty is the heart of the commonwealth; but liberty is its lungs.
You find out the necessity of liberty as you find out the necessity
of air--by not having enough of it and gasping.

                                              Daily News, March 18th, 1911

THE SERVILE STATE

When you break the big laws, you do not get liberty;
you do not even get anarchy.  You get the small laws.

                                               Daily News, July 29th, 1905

THE SIN OF PROHIBITION

Today a criticism of Prohibition cannot be an attack;
it can only be an autopsy.... Prohibition has fallen down dead
of its own crawling corruption; of the foul humours that infected
its own body; and not by any adequate attack from without.
It was, if ever there was one, a thing that failed because it
had been tried; that found its doom because it had its chance;
that was a practical failure because it was a practical fact;
that was ruined, not by being frustrated but by being fulfilled;
and came to its unnatural end because it had run its natural course.
Prohibition died because it was deserted by Prohibitionists;
even more than because it was always derided by sensible
men and by men with a sense of history and civilization.
It is true that there are still various legal entanglements,
twisted and re-twisted by the unthinkable fanatics at the feverish
moment of their power; but hardly anybody pretends that Prohibition
is morally tenable or tolerable today, and indeed it is only
a question of whether it is a repealed law or a dead letter.
And as the autopsy may well be more elaborate and complete than
the attack, I should like to point out especially that the poison
that is present in the remains, the poison of which the victim
undoubtedly died, is in fact a poison of a certain spiritual
sort which is the worst enemy of life.

That poison is sin.  And Prohibition perished because the spirit within
it is sinful and has the quality of all the sins that destroy the soul.
We pay the Prohibitionists far too high a compliment when we call them
over-righteous or self-righteous or even Pharisaical.  The evil was
not really in any exaggeration of ethical seriousness; in the sense,
for instance, in which the old Puritan might really be rather unbalanced
in his horror at harlotry and the brazen profession of prostitution;
or a sensitive person might go a little mad from the mere shock of
encountering some madness of moral perversion.  The evil of the thing
lay much deeper, because it was not a narrowing of the moral sense;
it was a violent dislocation and uprooting of the moral sense.
The common conscience of sane people is a thing which I and others
continue to call the voice of God; but anyhow it is the voice of Man.
It is the healthy response of the universal human mind to certain
ideas and it does not really differ very widely in its deliberate
and conscious decisions; though of course it is modified by
particular perils, particular duties of the moment, and the rest.
Now if you take a normal person, a nice child, a reasonably trained man,
a human being not falling short of the fulness of human nature,
you will find that such a person knows that certain decisions are unjust,
certain actions cruel, certain risks ordinary, certain matters
a man's own business, and so on.  Only by perverting his conscience,
only by making his mind crooked, can you induce him to believe
that drinking beer is some thing like assassination or betrayal.
And by the time that you have succeeded, you have ruined his moral sense.
It is no longer a spontaneous spiritual thing; it is no longer
a natural thing that can smell evil; it is only capable of repeating
a dead, distorted lesson like something imposed by a mesmerist.
That mesmerist is not a moralist.  He is, in the most emphatic sense,
an immoralist.  He corrupts the conscience of the young.

Far too little attention has been paid to this point of very
practical psychology.  You wreck the tribunal of truth when you
bribe or bully it into pronouncing the innocent guilty, just as you
do when you similarly induce it to pronounce the guilty innocent.
As it is with an innocent man, so it is with an innocent practice.
You have to destroy all innocence to make anyone detest an
innocent practice.  By the time that you have persuaded a nice
and normal child that it is wicked to fetch his poor old father
a glass of ale, you have so bewildered the mind that it may end
by saying it is not wicked to put prussic acid in the ale.
The logical, mathematical, intellectually inevitable effect
of doing this is a general loosening of all morality.
It is also the actual effect; and there is the actual state
of modern America to prove it.  Begin with a heresy in morals,
whether it be a negative or a permission, and it will end in the worst
and wildest licence that could follow on the loosest permission.
And if anyone doubts this psychological fact, which is also a
theological truth, then let him explain the howling nightmare
and hell of nonsense and anarchy that has actually followed
in the track of the Prohibition Law.

                                      True Temperance Quarterly, May, 1933

AUTOMATIC EVIL

A sophistry may affect the mind, but an obscenity must affect the mind;
it is a violence.  It may do one of two things equally direct
and instinctive; it may shock purity or it may inflame impurity.
But in both cases the process is brutal and irrational.
A picture or a sentence which shocks sensibility or sharpens
sensuality does not offer itself for discussion.  It is no
more open to argument than a squeaking slate pencil is open
to argument, or the choking smell of ether is open to argument.
The human victim is drugged--or he is sick.

Therefore (without carrying the parallel, of course, to any lengths
of literalism), I think we may speak of indecorum as an assault.
In the matter of violations of traditional public decency
(however plausibly defended) I am entirely with the Puritans.
The ordinary argument that sex can be treated calmly and freely
like anything else is the most loathsome cant in this canting epoch.
The parallels from other crimes are insolently fallacious.  A man
reading about a burglary is not any more likely to commit a burglary.
A man who has seen a pocket picked is not in the least likely
to become a pickpocket.  But there is one evil which, by its hold
on the imagination (the creative and reproductive part of man),
can reproduce itself even by report.  We have a right to protect
ourselves and especially our top-heavy and groping children
against startling and uncivilized appeals to this instinct.
Heretics have a legal claim to persuade human souls to err and sin
like human souls; they have no business to make them jump like
monkeys on a stick.  I have no more right to give an unwilling
citizen a sexual shock than to give him an electric shock.
I have no more right to come behind him and inflame his passions
than to come behind him and inflame his coattails....

The appeal to animal appetite may succeed by its very familiarity.
Indecency is not wild and lawless.  The danger of indecency is exactly
that it is tame, dull, direct, inevitable; a mere law in the members.
It is automatic evil.  Pride makes a man a devil; but lust makes
him a machine.

                                           Daily News, February 19th, 1910

THE TYRANNICAL SCEPTIC

It is a total error to suppose that the possession of convictions--
of hard, strong, unquenchable convictions--makes a man bigoted.
It is quite the other way.  The most bigoted people in the world
are the people who have not got any convictions at all.
It may seem an extreme or fanciful statement, but it is really
true that there are no subjects in the world on which men
are so noisy, so aggressive, so violent and angry even
unto slaying, as the subjects about which they do not care.
... Men have said that the ground of bigotry is ignorance,
but more is true than that:  the ground of bigotry is indifference.
There is one figure who has dominated history and been the oppressor
of all religions, good and bad; all philosophies, true and false.
He is the tyrannical sceptic--and his name is Pilate.

                                          Black and White, March 7th, 1903

THE SHAPE OF THINGS TO COME

The earnest Freethinkers need not worry themselves so much
about the persecutions of the past.  Before the Liberal idea
is dead or triumphant, we shall see wars and persecutions
the like of which the world has never seen.  They need not
reserve their tears for the victims of Bonner or Claverhouse.
They may weep for themselves and for their children.

                                           Daily News, February 18th, 1905

SKY SIGNS

The next great heresy is going to be simply an attack on morality;
and especially on sexual morality.  And it is coming, not from a few
Socialists surviving from the Fabian Society, but from the living exultant
energy of the rich resolved to enjoy themselves at last, with neither
Popery nor Puritanism nor Socialism to hold them back.... The roots
of the new heresy, God knows, are as deep as nature itself, whose flower
is the lust of the flesh and the lust of the eye and the pride of life.
I say that the man who cannot see this cannot see the signs of the times;
cannot see even the sky-signs in the street that are the new sort of signs
in heaven.  The madness of tomorrow is not in Moscow but Manhattan--
but most of what was in Broadway is already in Piccadilly.

                                           G. K.'s Weekly, June 19th, 1926

THE MONSTROSITY

When a dead body is rotting, it does not diminish; it swells.
Ignorance of this elementary truth is at the back of nearly
all our political blindness.  When we speak of a decaying people
or a dying institution, we always have somehow the notion
of their dwindling; of sparser and sparser tribes gathering
on their mountains, of meaner and meaner buildings arising
in their skies.  But it is not so that social bodies really rot.
They rot like physical bodies, being horribly distended from within
by revolting gases demanding egress.  Institutions, like corpses,
grow larger and larger as they grow more and more shapeless.
A dying monarchy is always one that has too much power, not too little;
a dying religion always interferes more than it ought, not less.
Our own country is really in this state of swollen decay,
and the test of it is this:  that every function of the State
has grown more formless and more vast.  Every power,
public and private, has been stretched long past all sane definition
and we live under a government of entangled exaggerations.
It is a government that has all the practical effects of anarchy.
Indeed, it is something worse than chaos; a warring polytheism.
It is a conflict of incalculable autocracies, under any of which
at the moment we may fall.

                                              Daily News, March 11th, 1911

POLITICS AND DISCONTENT

Europe at present exhibits a concentration upon politics which is
partly the unfortunate result of our loss of religion, partly the
just and needful result of our social inequality and iniquity.
These causes, however, will not remain in operation for ever.
Religion is returning from her exile; it is more likely
that the future will be crazily and corruptly superstitious,
than that it will be merely rationalist.... On the other hand,
our attempts to right the extreme imbalance of wealth must soon have
some issue; something will be done to lessen the perpetual torture
of incompetent compassion; some scheme will be substituted for our
malevolent anarchy, if it be only one of benevolent servitude.
And as these two special unrests about the universe and
the State settle down into more silent and enduring systems,
there will emerge more and more those primary and archaic
truths which the dust of these two conflicts has veiled.
The secondary questions relatively solved, we shall find ourselves
all the more in the presence of the primary questions of man.

For at present we all, tend to one mistake; we tend to make politics
too important.  We tend to forget how huge a part of a man's life
is the same under a Sultan and a Senate, under Nero or St Louis.
Daybreak is a never-ending glory, getting out of bed is
a never-ending nuisance; food and friends will be welcomed:
work and strangers must be accepted and endured:  birds will go
bedwards and children won't, to the end of the last evening.
And the worst danger is that in our modern revolt against
intolerable accidents we may have unsettled those things
that alone make daily life tolerable.... There is danger
that the social reformer may silently and occultly develop
some of the madness of the millionaire whom he denounces.
He may find that he has learnt how to build playgrounds,
but forgotten how to play.  He may agitate for peace and quiet,
but only propagate his own mental agitation.  In his long fight
to get a slave a half-holiday he may an deny those ancient
and natural things, the zest of being, the divinity of man,
the sacredness of simple things, the health and humour of the earth,
which alone make a half-holiday even half a holiday or a slave
even half a man.

There is danger in that modern phrase `divine discontent'.
There is truth in it also, of course; but it is only truth
of a special and secondary kind.  Much of the quarrel
between Christianity and the world has been due to this fact;
that there are generally two truths, as it were, at any
given moment, the ingenious, paradoxical truth suitable
to some moment of revolt or reaction, and the ancient
underlying truism which is nevertheless true all the time.
It is sometimes worth while to point out that black is not so black
as it is painted; but black is still black, and not white.
So with the merits of content and discontent.  It is true that
in certain acute and painful crises of oppression or disgrace,
discontent is a duty, and shame should call us like a trumpet.
But it is not true that man should look at life with an eye
of discontent, however high-minded. It is not true that in
his primary, naked relation to the world, in his relation to sex,
to pain, to comradeship, to the grave or to the weather,
man ought to make discontent his ideal; it is black lunacy.
Half his poor little hopes of happiness hang on his thinking
a small house pretty, a plain wife charming, a lame foot
not unbearable, and bad cards not so bad.  The voice of the special
rebels and prophets, recommending discontent, should, as I
have said, sound now and then suddenly, like a trumpet.
But the voices of the saints and sages, recommending contentment,
should sound unceasingly, like the sea.

                                    T. P.'s Weekly, Christmas Number, 1910

AGAINST DIVINE DISCONTENT

I remember hearing a good deal about divine discontent from
my early youth; indeed, rather specially in my early youth.
For I was born towards the end of the Victorian age,
which many writers, strangely enough, imagine to have been a time
of conservative placidity and of people content with their
stations in life.  As a fact, it was exactly the opposite.
It was the period during which two modern ideas came
into the world and fought; a true idea that we must raise
the economic as well as the political status of the poor;
and a fake idea that every man must raise his own economic status,
even if he kills everybody else and ultimately himself as well.
To both of these different things the more earnest Victorians
gave the name of `divine discontent'.  But the mistake
of the earnest Victorians was that they tried to make a new
morality without having studied any really good philosophy.
The thing became rhetoric and sentiment, a thing of words;
and they got even the words mixed, as in this case.

For the truth is that the one thoroughly bad sort of discontent
is divine discontent.  We can all sympathize with human discontent.
For human discontent means discontent with inhuman conditions.
But divine discontent must really mean discontent with
divine conditions.  And curiously enough, that is exactly what it
did mean in the older and wiser theologies and philosophies,
where it was rightly branded as the source of all our woe.
I am astonished that this simple truth has not been more simply seen.
Thus, Mr Bernard Shaw once wrote a little book on the Bible;
full of rather crude criticisms, I think, about the Fall
and the Flood and the fear of the devil and all the rest.
He judges them, of course, in the light of his familiar
evolutionary fancy, that the Creator progresses as well as
the Creation; indeed, it looks as if the Creation really creates
the Creator.  I have noted that the moderns lack philosophy.
But I do dislike seeing a very clever man so clumsily
missing the point; and in the matter of the Bible, the Fall
and the Devil and so on, he does entirely miss the point.
He tries to apply to such things the general sentiment of revolt
which he feels as a Socialist and which any man may quite reasonably
feel as a social reformer.  But revolt or righteous indignation
of that sort is always a discontent with bad conditions.
The whole point of the spiritual revolt, dealt with in the Bible,
is that it is always a revolt against good conditions.

I am not now bothering about Mr Shaw's belief in the Bible.
But I repeat that there is such a thing as seeing the point;
and this is the point of the old moralities about the rebel angels
or the rebellion of Adam.  The point of the story of Satan is
not that he revolted against being in hell, but that he revolted
against being in heaven.  The point about Adam is not that he was
discontented with the conditions of the earth, but that he was
discontented with the conditions of the earthly paradise.
That is a totally different idea (and I will add a much deeper idea)
than the obvious reasonableness of revolt against gross tyranny.
And until it is understood once more, people will go on being
discontented even with contentment.  The rich will be even more
discontented than the poor.  They will explain that theirs is
a divine discontent; and divine discontent is the very devil.
You will observe that I use the term in a serious theological sense.

                                    New York American, December 15th, 1932

RELIGION AND REVOLUTION

It has always seemed to me that the problem of religion arises most
vividly after the problem of politics or economics has been solved.
When we have satisfied men about the problem of their living,
we shall then be instantly challenged to satisfy them about the problem
of their life.  Indeed, their depression will not be finally dealt
with till we also satisfy them about the problem of their death.
Getting rid of the fear of starvation is not getting rid of the fear
of death.  And how far men feel themselves under the shadow of death,
how near death seems to them in the span of their brief life,
depends on all sorts of other matters connected with mood or creed
or individual condition; but cannot possibly depend on the mere fact
of their economic safety.  Monks have a small and secure economic support,
and feel one way about death; maniacs in asylums have a small
and secure economic support, and feel quite another way about it.
But those who fear death most and feel most the mutability
of things and find their pleasures most poisoned by pessimism
are often the most wealthy and luxurious people in the world.
They quite frequently fear death, but they not infrequently hate life;
and jump off liners or blow out their brains with revolvers.  All this
realm of reality is not concerned with prosperity, but with happiness.
And when an economic revolution, whether reasonable or unreasonable,
has given them prosperity, we have still to consider how to give
them happiness....

I have always done my best to claim for men this purely economic justice,
though I would rather they had it with liberty in the Distributist way
than with slavery in the Bolshevist way.  But I never thought that
filling their stomachs would stop all the movements of their minds.
And their minds still have to deal with two very terrible enemies of man,
the one classed as a mere mood and the other as a cosmic conclusion;
their names are Boredom and Despair.

                                        New York American, April 1st, 1933

THE EVIL DAY

I think the time has come when I should say something in favour
of Imperialism and Socialism, and it also happens by a delightful
coincidence that I have actually thought of something favourable to say.

Anyone who wishes to do justice either to Imperialism or to
Socialism should sharply remember the epoch in which they arose,
I mean, of course, arose in this country, and recently.
They are both as old as human error.  Sparta was Socialistic
and Babylon was Imperialist ... Now the great thing to be said
for these two great exaggerations or heresies (and every
heresy is a truth taught out of proportion) is that they
were both rebellions against the age in which I was born.
The society against which they raised their voices was
a very intellectual and artistic society.  I have felt its
atmosphere and I truly think that if they had been silent,
the very stones would have cried out.

This dark period began vaguely about 1870; that end of the great
Liberal epoch, the year when Paris fell and when Dickens died.
It spreads equally vaguely up to the retirement of Gladstone
and the abandonment of Home Rule, the last Liberal crusade that was
unmistakably Liberal and unmistakably dangerous.  All that period
was filled with emptiness.  Oscar Wilde was justly its greatest man;
because he alone could really do levity on a large scale.
Its products include many men whom I count as my best friends--
myself among others.  But I can hardly think of one of them who
would not have been both better and happier if he had been born
in any other period from the Stone Age to the Reign of Terror.
For almost all other ages have set one enthusiasm against another;
but of this brief and black age only can it be said that it
sneered at enthusiasm simply for being enthusiastic.
All men had dreaded the lightning because it was destruction;
but these disdained the lightning because it was the light.

It is idle presumably to speculate as to the causes of this queer
interregnum and vacuum.  The truth, I fancy, is this:  that religion
and politics (man's chief concerns, almost his only concerns)
alternate in history, but are seldom absent simultaneously.
A rude society may be rich in saints; or a time of frigid infidelity,
such as the eighteenth century, may be heroic in politics.
But at the particular point I speak of, both these waves were spent.
... The impression was that heavy hands had shut the doors of man's two
great outlets--liberty and faith; the one was blocked by Bismarck with
his blood and iron, and the other by Darwin with his blood and bones.
The appearance of 1870 was that political materialism had broken
political idealism for ever.  And the appearance of `The Descent of Man'
was that it was really a descent of man--that man been kicked off
his pedestal on to the floor.

Whether for this cause or some other, the years of which I speak were
years of yawning; they were like the hours of an afternoon `At Home'
in a rich house on a rainy day when nobody comes to call.
Their poems and pictures showed a real genius in tracing the leaden
tints and echoing the tuneless tones of an afternoon like that.
One hardly heard anything but pessimism--except Art, which is worse.
Now whenever I wish to feel tender towards Imperialists
or Socialists, I always remember that at least their Union Jacks and
their red ties interrupted the twilight of that infernal afternoon.
... Rudyard Kipling did show that romance could be found in coarse
and laborious affairs.  And the Socialists have at least done
one excellent thing; they have brought back creeds into politics.
... For a creed is the sword of the spirit; the only tool with
which the mind can fight.

That empty time is now so utterly forgotten that many
even who lived in it will hardly know of what I speak.
Of its weary wits and philosophic dandies hardly one remains.
Some are dead; some have gone into exile; some have gone to pieces.
Two I know who were of real genius, a genius which survived
that season of ashes and went on burning into our own time.
... One of them was a small vivid man, one of the black Scotch,
with dark burning eyes and a high colour.  He had been the most
piercing lyrist of the old minor poets, but of late he had
taken up newer notions, going in with Mr Shaw for enormous
images of the Superman or the last giants of evolution.
His talk was all of expanding life and unceasing activity.
The other was a quieter and much cleverer man; one of the most
perfectly clever men ever born.  He was tall, slow, saturnine,
an omnivorous observer, a very fastidious judge.
His work was almost wholly in a world of cool and almost
heartless comedy.  He had a slight smile always on his face.
He also had dropped the mere pessimism of the dark age and was
doing hopeful and constructive work in the creation of a new
and more solid English drama.

These are the only two men who have come triumphant out of that strange
old atmosphere.  Each of them during the last few months has died
by his own hand.

                                               Daily News, June 26th, 1909

    [The two men were John Davidson, the poet, and St John Hankin, the
                               dramatist.]



WHAT WAS RATIONALISM?

What Rationalism really was and (in some corners) still is,
is substantially this:  It was a premature synthesis.
It was not the opening of the house of reason, but the
impatient closing of it.  It did not open the human head
like a new hotel.  It shut the human head like a packed bag.
I call it the Victorian Compromise because it put in the bag
as many of the old relics and reverences as it could.
I call it the Victorian Rationalism because it was guided
in its selection by a very clear but very crude theory.
In other words, it planned out the packing scientifically,
but it never asked whether the bag was big enough.
And the result on which I want specially to insist was this;
that this false finality of the reason has left behind
it a prolonged and increasing torture to the instincts.
That is what I mean when I say that Dickens rebelled against it
ignorantly and by the light of nature.  That is why the war against it
was a war of poets, sometimes as irrational as a war of criminals.
Ever since Rationalism became the rule, the mysterious thing
called human nature has scratched like a cat in a cupboard.
... The Rationalist was pursued by enemies, blind but strong;
the most terrible enemies a man has--the things he has forgotten.

                                             New Witness, March 20th, 1913

FROM DICKENS TO GISSING

The tribute paid by George Gissing to Charles Dickens was one
of that great tribune and poet of the people, because it was
a message from the antipodes.  It was a compliment to Dickens,
not from a Dickensian, but rather from one who might well be
expected to be an Anti-Dickensian. Gissing was a realist whose
realism is not even enlivened by a controversy about coarseness.
The suburban world he describes seems a hundred times more common
by not being vulgar.  He is also one of those in whom the depression
at the end of the nineteenth century had not even the energy to turn
into a dance of death, but only into a life too dull for dancing.
His carnation turned grey and not green.  But he was a man of clear
and acute mind, of solid and splendid intellectual honesty;
and in spite of his realism, he was in touch with reality.
He did see things as they are and therefore saw Dickens as
he is; a great wind and a flame and a spirit creating like a god.

The change from Dickens to Gissing is among other things an economic
or at least a sociological change.  It marks the difference between
the men who built the industrial town and the men who were born in it.
Or to put it another way, it is the contrast between the jovial
swagger with which the young man from the country came to London
and the gloom that settled upon him when he really discovered that
he could never get back to the country.  It is generally supposed,
for instance, that the clerks and comic servants in Dickens are mere
flights of his own poetic fancy.  But it is not altogether so.
In this and other things there is a great deal of exaggeration
about his exaggeration.  There was a type to be exaggerated,
and nowadays it is not exaggerated because it is not there.
It was the sort of Cockney who was not only exuberant but solemnly
and rhetorically exuberant; relishing romantic poetry and rolling words.
My father told me of an aged clerk in an ancient eating-house
who regularly every day said to the waiter in a deep booming voice,
`Tell Mrs Bayfield that the steak was excellent, the potatoes
done to a turn, in short, a dinner fit for an epicure'.  That is
the voice of Micawber and Swiveller and many characters of Dickens;
even of Fred Bayham and many characters of Thackeray.  And who will
ever forget the schoolmaster who said to every lady he danced with,
`Had I a heart for falsehood framed, I ne'er could injure you'?
It is the great gusto; it is life enjoyed like the steak of Mrs Bayfield;
existence as something much too joyful to be taken frivolously;
enjoyment as something to be prolonged with a prodigious gravity;
in short, a dinner fit for an epicure.  After a hundred modem
criticisms there remains in the poetry of Byron and Tom Moore,
which these men quoted, a richness that has never been recovered
or imitated.  Many moderns have learnt from Yeats that our
souls are love and a continual farewell; but not many can say
farewell to Miss Wackles with the great and virile gesture:
`My boat is on the shore and my barque is on the sea.'
Men naturally made game of the Byronic youth; but remember that
he enjoyed woe more than the modems enjoy enjoyment.

Now by the time of Gissing we are beginning to get into the world
of Wells.  The small stumpy heroes of Wells are still courageous,
but the courage is almost the courage of despair.  It seems as if they
were stumpy through being stunted by a bludgeoning from above.
And indeed they have felt the full weight of the club of the giant
called Capitalism.  They can still joke; but when they joke,
they jeer and even sneer.  I know there is plenty to sneer at;
and that the little man's bitter tongue is the only sword we
have left him.  But certainly he does sneer, not to say snarl.
And Sam Weller never snarled; he never even sneered.  It was all unlike
his great and gracious ways; it was quite beneath his dignity.
But then Sam Weller felt free; he had run loose and been a waggoner's
boy and many things, and travelled from inn to inn and job to job;
he had never felt the weight of the modern terror, pinning a man
to one place which it is ruin to lose.  For in that old England there
was indeed no equality, but there was liberty; an instinct in poor
and rich alike for letting people wander and take their chance.
Hence the string of episodes in the Pickwick Papers and the general
feeling that London cannot contain or control the characters.
I think there is something of it even in the mere change in illiterate
speech that has often been noted as separating us from Sam Weller.
In modem Cockney, I am sorry to say there is not only
something of a snarl; there is something very like a whine.
It has its masterpieces of irony; it is a good speech for satirists,
but it is not quite a speech for free men.  Now the old Weller
dialect is said by some to have been the Kentish dialect,
and certainly it is as rich and deep as the gardens of Kent.
In that interchange of V's and W's there is something of swagger,
some thing of waggishness, but something also of leisure and ease.

But in any case the Weller dialect, whether or not it
was a county dialect, was in spirit a country speech.
It was a speech that had grown luxuriant and even long-winded
in long hours of talk in the taverns of the age of toleration,
Its very jokes were in a manner ceremonial.  The jokes of the later
generation consist entirely of what is appropriately called chipping;
and they are very small chips of that old block, of that original
Yule-log of the Pickwick period.  And, as I say, I think there
is something of it even in the sound and style of the slang.
Those waggish W's suggest only a slight laxity and, according to
the lateness of the hour, perhaps indistinctness in the edges
of the spoken word.  They have nothing of the snigger or the whine.
Sir John Falstaff was a gentleman by birth; but I can almost
imagine even Falstaff saying with his thick accent, `What,
because you are wirchuous shall there be no more cakes and ale?'
But I cannot imagine Falstaff saying, `Shall there be no more
cikes and ile?'....

I believe the explanation of the change is that which I have given;
the fact that by the later date the traveller no longer stopped at
London as an inn, but found himself caught in London as in a trap;
a network of communications snaring him like a net.  Shades of the prison
house began to close in more senses than one; but poor Gissing was
really more imprisoned in Fleet Sheet than Pickwick in Fleet Prison.
The economic element begins to be exaggerated and literature begins
to deal with livelihood rather than life.

But Gissing's book is a monument of the fact that literature
can almost always understand literature, and that the world
which a man appreciates is wider than the world he describes.
For what the realist critics forgot was that the world exactly
reproduced by Gissing will vanish much more completely than
the world exaggerated by Dickens.  Life as described in Pickwick
is much more like life as described in Don Quixote or in
the Canterbury Tales or in the Odyssey or even in the Bible,
than like in a psychological novel of the suburbs; because it
refers to fundamentals, travels and inns and simple jokes.
It is like life; it is in that sense like eternal life,
for it is still alive.

                                        G. K.'s Weekly, October 17th, 1925

THE CORNER

Modem England cannot live any longer on that old compromise of
Queen Victoria, loyalty and liberty, Anglicanism and agnosticism,
Lord Tennyson and the party system.  It was a generous age;
it was a liberal and honourable age; we all owe everything to it.
There was something about its innocent assumption of all good things
at once, its combination of all the inconsistent virtues, that will
always remind us of a home.  But it is no house for us any longer.
We have gone down a road; and we have turned a corner.

                                                Daily News, May 14th, 1910

CHAOS

Humanity has passed through every sort of storm and shipwreck,
but never before was it so doubtful which was the storm and which
the shipwreck, and which the ship and which the ship's crew;
and what we are rescuing from what.

                          New York Herald Tribune Magazine, July 5th, 1931

THE VENGEANCE OF VICTORIA

Nobody has yet appreciated the post-Victorian Age; our histories
do not yet record that it has begun; they could hardly be expected
to record that it has ended.  The young are still flaunting their
superiority to Victorianism which died a quarter of a century ago.
They do not realize that Victorianism was itself immensely superior
to that much more powerful thing that only died yesterday.
The thing I mean might be broadly indicated by many names.
Perhaps the most popular way of putting it would be to say
that the Victorian Age was followed by the American Age.
The Age of Public Opinion, which meant only the things the middle
classes thought or believed, was followed by the Age of Publicity,
which meant the loud assertion of things that nobody believed.
The age in which the middle-class man was supposed to be content
to be middle class or even rather stodgily proud of being
middle class, was followed by a sort of feverish Utopia of unrest
in which every middle-class man was idiot enough to suppose
he could become a millionaire.  The age of port; in which men
drank after dinner, was followed by the age of cocktails, in which
women had to get drunk in order to face the prospect of dinner.
All that has happened since the death of Victoria.  It has begun
since the death of Victoria.  It has died since the death of Victoria.
For there will not even be any money for it much longer.
But it has died so recently that nobody has given it any epitaph;
nobody has even given it a name.

On all that sort of thing poor old Queen Victoria has already
been avenged.  It is perfectly self-evident that Victorianism,
with all its vices, was vastly superior to the thing which so rapidly
sprang up in its place and so rapidly withered in its place.
For instance, Victorian morality, passing from Puritanism to Positivism,
did not understand much of the mystical sort of humility.
But it did understand something of the ordinary manly sort of modesty;
the decent restraint known to pagans like the Romans or the Chinese.
It was followed by a mere lunatic asylum of lying and
bragging that was called advertisement and salesmanship;
with the final financial result that nothing can be sold
and that all the money for advertisement has been wasted.
It was the post-Victorians who went in for mere go-getting;
and it has gone no where and got nothing.  We have all heard
of a famous occasion when Queen Victoria was not amused.
But I fancy that even she might be amused now.

                                        G. K.'s Weekly, October 15th, 1932

PRIVACY

Privacy is like property in this:  that while a few people ought
to have less of it, most people ought to have more of it.

                                            New Witness, October 7th, 1921

NORTHCLIFFE

It is perfectly apparent that Alfred Harmsworth never had any ideas
at all.  He must have had intelligence in the business sense;
and something much more valuable in business, that sort of natural
heat and hurry which can work too fast to think of why it is working.
He was not without his good points; perhaps it would be more exact
to say that he was not without his good moments, for he had
no conceptions dear enough to perpetuate them at the expense
of the bad ones.  He did pay his proletariat better than many;
he did do good-natured as well as ill-tempered things.
Also he had everything against him in the intellectual and
moral sense.  He was born of respectable middle-class people
in the small Protestant professional classes in Dublin.
He received in succession all the general political suggestions
of his time.  He was thrilled by Jameson and Joe Chamberlain;
he apparently believed up to the very moment of the Great War
that there was a place called Ulster.  In other words, he had at
the best all the healthy and hazy associations and prejudices
which all his ten million readers had as much as he had;
and he was by nature ignorant of the very idea of an idea.
But while Alfred Harmsworth was exactly like Albert Huggins or any
other man travelling in the same train or tube, there came upon him
to his destruction two things that were not normal to the rest.
He became enormously rich which always cuts a man off from reality.
And he dealt, not in his native elements like pork or petrol,
but in politics and public opinion.  He bought a pulpit from
which ideas could have been given, when he had no ideas to give.
...

An excellent example of all these things is to be found
in the business about Lord Kitchener.... The truth is that
Harmsworth never had anything to do with Kitchener at all.
He had to do with a sort of legendary bully who was only to
be admired for bullying, and then with an equally legendary
dug-out to be dismissed because he was not in a hurry to bully.
It was a great stunt to declare that a strong man stood ready to
save England; a great stunt to declare that England was betrayed.
The real story of the shell shortage was something totally different;
but that story would never have made a stunt.  It is typical
of him that as soon as he had left off cheering for the mere name
of Kitchener, and then left off booing at the mere name of Kitchener,
he began cheering again at the mere name of Lloyd George.
No real person ever appeared in his portrait gallery.
But dull megalomania of this sort is always vaguely impressed
by a stupid swagger in others.  Dullness calls unto dullness
across the modern world, like deep calling unto deep.

It was perhaps this spirit of illusion, of indirect rather
than direct things, that produced in his mind the tragedy
of the final divorce from reality.  None will deny that such
a tragedy should teach us to consider him as a human being;
but the sympathy is thwarted by considering him as a hero.
It was the fault of his age rather than himself that he lived
among shadows, fighting in a shadow pantomime.  Publicity consists,
not of things, but of their vast shadows thrown upon a wall.
And to make them so vast, the light must be held very low down.

                                      G. K.'s Weekly, September 17th, 1927

THE VISION OF VULGARITY, I

Vulgarity is one of the great new modem inventions, like the
telephone or the wireless set.  It may be plausibly maintained
that the telephone is less of an instrument of torture than
the thumbscrew or the rack; and in the same way that other ages
had other vices that were worse than this new or modern vice.
As we may find fanciful sketches of aeroplanes in the sketch-books
of Leonardo da Vinci or speculations very near to modern physics
in the philosophers of ancient Greece, so we may find here and
there in history a hint or foreshadowing of the great and golden
vision of Vulgarity that was later to burst on the world.
We may find it in the smell of Punic plutocracy that stank in
the nostrils of Greeks and Romans, or in a certain touch of bad
taste in an aesthete like Nero.  Nevertheless, the thing is so
new that the new world has not yet really found a name for it,
but has had to borrow a rather misleading name which is really
the Latin word for something else.  So we have to go on using
the Greek name of amber as the only name of electricity, because we
have no notion what is the real name or nature of electricity.
And so we have to go on using the Latin word vulgus, which only means
the common people, to describe something that is not particularly
common among the common people.  Indeed, through long spaces
of human history and over wide spaces of the habitable globe,
it is very uncommon amongst the common people.  Farmers living
by long agricultural traditions, peasants in normal villages,
even savages in savage tribes, are hardly ever vulgar.
Even when they massacre and enslave, even when they offer human
sacrifice or eat human flesh, they are hardly ever vulgar.
All travellers attest the natural dignity of their
carriage and the ceremonial gravity of their customs.
Even in the more complex modern cities and civilizations, the poor
as such are not particularly vulgar.  No; there is a new thing
which really needs a new name and still more a new definition.
I do not say I can define Vulgarity; but having just been
reading a modern book about Love, I feel inclined to throw
out a few suggestions.

In so far as I can get near to its essence, it consists largely
of two elements, which I should describe as Facility and Familiarity.
The first means that a man does, as the phrase goes, `gush'; that is,
that his self-expression flows without effort, selection or control.
It does not come from him like picked or pointed words, passing through
an articulate organ; it simply streams from him like perspiration.
He need never stop explaining himself, for he understands neither
himself nor the limits of explanation.  He is the sort of man who
understands women; he is the man who can always get on with the boys;
he finds it easy to talk, easy to write, easy to speak in public;
for his own self-satisfaction carries with it a sort of huge cloud
and illusion of applause.

And the second element is Familiarity which, if understood,
would be called Profanity.  Horace spoke of the `profane vulgar';
and it is true that this familiarity is the loss of holy fear
and a sin against the mystical side of man.  In practice
it means handling things confidently and contemptuously,
without the sense that all things in their way are sacred things.
Its most recent mode is the readiness to write torrents
of tosh on either side of any serious subject; for you
hardly ever get real vulgarity on a frivolous subject.
The point is that the fool is so subjective that it never occurs
to him to be afraid of the subject.  For instance, he can be a Pagan
fool as well as a Puritan fool in the debate on modem morals;
but in the first case there will be torrents of tosh about
Love and Passion and the Right to Live, and in the other,
exactly similar torrents of tosh about Christian Manhood and
Healthy Boyhood and Noble Motherhood and the rest.  The trouble
is that they are so infernally familiar with these things.
Never do you find that note in a real lover writing of the woman
he loves, or in a real saint writing of the sin he hates.
Both say the right thing because they would rather say
nothing at all.

                                        New York American, July 22nd, 1933

THE VISION OF VULGARITY, II

I do not know very much about the movement or institution covered
by the title of Toc H. But I know the man who inspired it, my old
schoolfellow Philip Bayard Clayton; and though some of my other friends
have differed from some of its sociology, I am quite sure that in him
and his immediate following the movement was generous and genuine.
And I can testify that on one occasion of my attending
its meetings, the ceremony commemorating those dead in the war
was as decent and reticent and virile a thing as I ever knew.
It was the only satisfactory modern ceremonial that I ever knew.
I liked it all the better because it was not in the loose modern
sense religious.  It was made up by soldiers among themselves,
and it might have been made by noble heathens in the antique world.
So far as I remember, it was merely the burning out of a candle and,
when it was extinguished, someone saying those lines of Laurence Binyon
which are worthy to pass into an impersonal and immortal rite.

  They shall grow not old, as we that are left grow old:
  Age shall not weary them, nor the years condemn.
  At the going down of the sun and in the morning
       We will remember them.

That was all, and that was a good thing to remember.

Now I open the large Sunday paper of the Express group
and the first thing that knocks me in the eye is a huge
headline about the Toc H ceremony as recently conducted.
It is an announcement in gigantic letters `D.S.O. Sobs at Ceremony'
and immediately underneath in slightly smaller letters,
`Prince of Wales Lights the Lamp'.  The journalist does
print the words of Mr Binyon's poem; but as he prints them
in pros; he is presumably unaware that they are verse.
I do not expect him to be aware that they are poetry.
He takes his place with that celebrated journalist who wrote,
`The right hon.  gentleman concluded by saying that kind hearts
were in his opinion better than coronets and simple faith greatly
prefer able to Norman blood'.  Only in the older case there was
more excuse; for I cannot but think the poetry was more prosaic.
Tennyson could be Virgilian like Laurence Binyon; but I should
hardly select that passage to prove it.

Now if it be asked what I dislike in the domination of this
type of Trust journalism, I answer that I dislike `D.S.O. Sobs'
and the man who does not dislike `D.S.O. Sobs' and the domination
of the man who is capable of writing `D.S.O. Sobs' and the type
of society that is supposed to be impressed favourably
with `D.S.O. Sobs' and the whole hideous idea of human pathos
which insults you and me with the supposition that `D.S.O. Sobs'
could conceivably move us to anything but mirth or murder.
And if the journalist does not understand it, all the more do I
protest against the power and influence of the man who does not
understand it.  And if anybody says he does like it, all the more
do I weep and wail over the existence of anybody who does like it.
If it was untrue, I denounce it; and if it was true,
I denounce it more.  My tradition makes no treaty with the man
who could first spy on a man's tears then elaborately note
his rank, and then clump the two things in colossal letters
at the top of the column before he had even told the story;
hallooing his remarkable good luck as if he had seen a shark
off Margate or the man who broke the bank at Monte Carlo.
It is because that is the tone of the Trust and all its
literature and view of life that I hope to withstand it
till I die.  Coarseness about coarse things is not vulgar.
It is not in itself immoral; it is in various degrees improper
or inexpedient according to conditions and occasion and,
above all, motive.  But anyhow, to talk grossly about a gross
topic is not necessarily to be in the least a vulgarian.
But to talk grossly about a sensitive and austere topic,
to speak loudly about something that remains in high-strung silence
like a harp string, to discover what is deliberately invisible
and gape at it, to hear what cannot be spoken and bellow it--
this is the shame not to be found among rude and simple men.
It is nowhere in the popular tales or traditions;
it is not found in the old ballads or the Christmas carols;
it is a mixture of weak curiosity and strained attention
and a stunted mind and an idiot light heartedness, which is
altogether peculiar to our civilization.... We alone have
had the honour of producing this fine flower of progress.
And this flower will overrun our garden like a weed,
when that culture has fully come into its own.

                                         G. K.'s Weekly, January 1st, 1927

THE HUMBLEST ANIMAL

It is in the nature of man to find symbols outside himself
of the qualities within himself.  Thus, for instance,
he has divided his virtues among the beasts of the field.
He makes the lion represent bravery; yet men are braver than lions.
No lions are ever burnt for their opinions.  He makes the fox
the type of cunning; yet men are more cunning than foxes.
No fox has ever thought of getting on a horse's back to travel faster.
He makes the ant a symbol of industry; but he is himself
a stronger symbol of industry.  He speaks of dog-like fidelity;
it would be more emphatic to speak of man-like fidelity.
Men are merrier than larks and much more hypocritical than crocodiles.
But we men cannot see ourselves as the great things that we are,
and perhaps it is our greatness that we cannot.  Perhaps this
fantastic modesty is the highest of the attributes of man.
Perhaps, amid the arrogance of oysters and the self-sufficiency
of snails, man is the only humble animal.

                                              Daily News, March 21st, 1906

PUTTING THE CLOCK BACK

In the present and the quite recent past we see a debris of effects
of which we do not know the causes.  The fire is choked with its
own ashes, the fountain is sealed with its own ice; the original
purpose of the thing does not pierce through.  The only way
to deal with it is to go back and ask what the thing in question--
a throne or a theory or a vote--was primarily supposed to be.
Nine times out of ten the only way of really building the future is
to imagine yourself in some much ruder society in the remote past.
You may call this reactionary and barbaric if you choose,
just as you can call it reactionary and barbaric to take a bath.
Taking a bath certainly involves the removal of many civilized
externals and an invitation to the nakedness of savages.
But it is the only way to get clean.

                                   Illustrated London News, July 8th, 1911

THE NUMBER YOU FIRST THOUGHT OF

They that go about the world asking riddles and doing puzzles
(those enemies of the human race) used to have one particular game which,
after ramifications of arithmetic, ended with `taking away the number
you first thought of'.  It is a silly game and, like many other
silly games, has been played by great empires and on a large scale.
That touch of over-civilization which is always the first touch [sic]
of a returning barbarism can best be noted when ever we note this game
of subtracting the original thought with which everything began.
I mean that men will build up institutions and elaborations round
the central pillar of some thought.  Then, after the passage of centuries,
the central pillar falls down, but the rest of the edifice remains.
Such an edifice is not always in danger, but it is in decay.

Our forefathers in the morning of the world appear in certain
ancient and, as I think, eternal attitudes; in the posture of the
performance of certain primal human acts; such as hunting or dancing
or feasting or sacrificing to the gods.  It is right and natural
that these things should grow richer and more complex with time.
But it is decadent and dangerous when these things forget their origin
and alter their inmost nature; when, after a stretch of centuries,
they have turned into something else, sometimes into some thing opposite.

In order to avoid the fascinating topics of drink and religion,
let us take the case of hunting.  Sport has silently and subtly
reversed its old character.  The essence of the change is this;
that men began with the comparatively generous idea of killing
wild beasts and have ended up with the comparatively paltry
idea of preserving them.... I do not mean to indicate
that I think it wrong to preserve or shoot birds; I do not.
I merely use this reversal of the heroic in hunting as an instance
of the way in which over-elaborate societies end up with their tails
in their mouths; in a posture not merely twisted, but inverted.

Of course, there are other instances.  There was the primitive
man offering sacrifice to the gods.  The sacrificer builds
an altar and pours wine or blood or something on it and holds
up his hands to the sky and talks to somebody he can't see.
Then, as time goes on, he turns his remarks into an ordered
chant and then, perhaps, into a written book; and he has
a roof to cover the people who come to see him sacrifice,
and a lectern to read the book from, and a sort of forum or pulpit
to stand in and explain what he had been doing, and so on.
And then, when civilization has grown for some centuries,
there comes an Ethical Society--the advance guard of barbarism.
You may know it by this extraordinary fact; that it doesn't take
away the additions and excretions round the old human thing;
it takes away the old human thing itself.  It leaves the reading-desk
and the talking-box and the people sitting still on hard seats.
But it takes away the altar.  It takes away the God.
It takes away the number it first thought of.

I might have given many other examples of this turning a thing
tail foremost, of this subtraction of the original aim.
I have given the case of the hunter who is now chiefly concerned
to preserve the very creatures which he set out to destroy.
I have given the case of the Ethical Idealist, a really
reverent person, who still insists on kneeling even when he has
nothing to kneel to.  I can only suggest that in this train
of thought will really be found a clue in the criticism of
the modern world, which is first and last a topsy-turvy world.
That is why the few mild and rational people are accused
of standing on their heads.

                              Illustrated London News, February 24th, 1912

THE LIVING PAST

If we want in any shape or sense what is commonly called progress,
then we must stick to tradition.  If you want practical experiments,
alterations and improvements, then you must cling convulsively
to the past.  Read new books if you want an artistic sensation
of novelty, a feeling that you are smelling a fresh flower,
but not if you want anything done in legislation or social reform;
for tradition is the only thing that ever does anything.
Read old books if you want new Blue Books.

Man is an animal with his feet foremost and his face turned back.
I defy anyone to mention any plain case of what is ordinarily called
progress in human history in which the mind of the progressive
people was not specially fixed upon some ideal in the past.
Of the Renaissance I need not speak; the very word Renaissance
proves the point.  But the French Revolution is quite as clear
a case; it was founded upon a theory of primitive right and it
was perpetually taking for its model the old pagan republics.
Rousseau's theory of the social contract was purely an appeal
to our human past; recent thinkers doubtless deny that human past,
but most of them are sufficiently logical to deny democracy as well.
There has not been actually any progress anywhere without some
passionate admiration of the past.... Man is like Perseus; he cannot
look at the Gorgon of the future except in the mirror of the past.
All those who have tried to look at a fixed future directly have
been turned to stone.  The human heart has been petrified in them.
The old Calvinists, with their predestination and necessity,
were turned to stone.  The modem scientific sociologists, with their
anthropology and their absurd eugenics, are turned to stone.
They make amusing statues.

It is utterly useless to talk about enlarging one's mind with visions
of the future.  The future does not enlarge one's mind in the least.
The future is a blank wall on which I paint my own portrait as large as
I like.... We are attracted to the future because it is what is called
a soft job.  In front of us lies an unknown or unreal world which we can
mould according to every cowardice or triviality in our own temperaments.
But if we look back at our fathers, as they gather in the gate of history,
we see it like the gate of Eden described by one of them in verse
which we cannot imitate:

`With dreadful faces thronged and fiery arms'.

                                            Daily News, December 7th, 1907

THE UNCHANGING VISION

The principle of progress in which all sane men believe is mainly this:
that we are engaged and ought to be engaged in a persistent effort
to change the external world into the image of something that is
within ourselves; to turn what is, as far as we are concerned,
a chaos into what shall be, as far as we are concerned, a cosmos.
God did not give us a universe, but rather the materials of a universe.
The world is not a picture, it is a palette.  Most of us who can
remember our childhood at all will agree that the best present
that can be given to a child on his birthday is in all probability
a paint-box. Many fathers know this; the Father of us all knew it well.
He gave man a paint-box. He gave him the crude materials of something;
the crude materials of everything.  That brown earth beneath you
is only raw umber, which you are destined to turn into cooked umber.
That blue sea which you think spherical and perfect,
is only the element and beginning of something beyond the sea.
How gratifying it is to reflect that the word `ultramarine'
literally means `something beyond the sea'!  That green grass
is only the material out of which you may make elves and
foresters and the figure of Robin Hood.  That blood-red sunset
which you unwisely call perfect is nothing but a lake of crimson
(called for the sake of brevity crimson lake) from which you may
fish up the flaming images of purple seraphims and scarlet devils.
Heaven gave us this splendid chaos of colours and materials.
Heaven gave us a few instinctive rules of practice and caution
corresponding to `do not put the brush in the mouth'.
And Heaven gave us a vision.

Now, to make the real world in any way like our vision of it
requires an agony of toil, extended over many years and centuries.
My own sympathies are all with sudden and decisive change when it
can possibly be obtained; but the complete transformation of nature
into the vision of a man can only be obtained slowly, if, indeed,
it can be obtained at all.  Therefore there does come into the realm
of ideas the thing called progress.  It may be that we shall
never reach perfection, but we may continue to approach it.
But even if we only approach it, we must believe that it exists,
we must believe that I want to go to Brighton or only towards Brighton.
If Brighton has no place or meaning at all, how can I even aim at it?
It may be that my human strength will be exhausted before I
reach Brighton.  It may be that the earth will be burnt up in the sun
long before I reach Brighton.  It may be that inexorable and awful laws
of human limitation keep an armed watch round Brighton and that I can
never see the shining gates of that city until I become more than man.
But certainly it is just as important to know what Brighton is in order
to try to get there, as it is in order to get there after all.
And the human race (in the main) has always believed that it knew
the broad facts about the site and approachability of Brighton.

When I say Brighton, I use a close metaphor for the New Jerusalem.
Men have always believed that, however long or however short might be
the time required to reach perfection, perfection had certain clear
recognizable lines about it.  It would involve justice; it would
involve mercy; it would involve truth; it would involve courage.
Our attempts to reach this might jump about.  But Brighton would not
jump about.  We should now use this colour, now that colour, of our cosmic
paint-box to produce the proper effect.  But our vision would not alter.
We should always have in our minds the picture that we wanted.
Thousands of years ago a great poet put the perfect vision of mercy.
`The lion shall lie down with the lamb.'  It will take us a long time
to teach him to do it.

But in our own time another and quite different thing has happened.
The vision has been attacked, not the picture.  The thing we
are aiming at is everywhere challenged.  Mercy is denied.
Justice is denied.  The object of all our sacrifices is
being talked of as dubious.  Brighton is jumping about.
It would take many generations (perhaps) of philosophical
lion-tamers to induce the lion to lie down with the lamb.
But it clearly cannot be done at all if every other generation
of lion-tamers thinks that it is not worth doing.

The whole matter, then, can be put in one statement.
So long as there is constancy in ideals, there can be progress
towards those ideals.  The moment there is change in those ideals,
the progress, always difficult, becomes impossible.
If there is progress in ideals, there cannot be progress
in anything else.

                                          Daily News, September 15th, 1906

THE WHITE HOUSE

All conservatism goes upon the assumption that if you leave
a thing alone, you leave a thing as it is.  But you do not.
If you leave a thing to itself, you are leaving it to wild
and violent changes.  All nature is change; it is only man
(apart from religious ideas) whose name is constancy.
For instance, if you want a white house, you must not leave it white.
If you leave it white in our atmosphere, it will soon be black.
If you want a white house, you must continually be painting
it white, beginning all over again and re-creating your ideal.
In other words, if you want your old white house, you must
have a new white house.  You must have a revolution.

The foundation of the true doctrine of progress is that all things
tend to get worse.  Man must perpetually interfere to resist a natural
degeneration; if man does not reform a thing, Nature will deform it.
He must always be altering the thing even in order to keep it the same.
If a man wants to keep his garden the same, he does not leave it
to itself, for left to itself it will become quite different.
If he wants it to remain the same, he goes about it with a ferocious
speed, uprooting things like a walking revolution.  For the man
who weeds plays the part of a pitiless and positive up rooter.
In other words, he plays the part of a Radical.  The trimness and
tidiness of all our gardens depends upon a persistent Radicalism;
and all those ranked flowers and rigid lawns are kept clear and quiet
by a principle of perpetual revolution.  Similarly, every spring cleaning
is a revolution but, like all others, a conservative revolution.
Like all other revolutions, it disturbs, maddens, destroys and may
even degrade.  But its object is to give a man his old clean house,
whereas otherwise he would have a new house and a nasty one.
The white house must be washed or painted at the first hint of grey.

Now it is specially the misfortune of England for the last few
hundred years that we have left our institutions untouched under
the impression that we were leaving them unspoilt; whereas, in truth,
time and circumstances were steadily spoiling them.  We have prided
ourselves on being conservative; but in fact we have not even conserved.
We would not alter our institutions for the better and so Social Evolution
(bless its heart) has altered them for the worse.... For the whole
advantage of evil is in its being so often imperceptible and silent;
evil comes at leisure like the disease; good comes in a hurry like
the doctor.  Conservatives commonly denounce a revolution as premature;
it is Irish, but true, to say that a revolution must often come
prematurely or come too late.

                                             Daily News, August 24th, 1907

THE ICONOCLAST

In the whole range of human occupations is it possible
to imagine a poorer thing to be than an iconoclast?
It is the lowest of all the unskilled trades.

                                              Daily News, April 26th, 1905

THE RETURN OF THE ANGELS

I write these remarks with one great hope, that of arousing controversy.
It is really a singular matter that amid all the talk of the great work
of physical science and its alleged victory over religious dogmatism,
no one has noticed what the greatest of all the triumphs of science
really was.  It was a discovery far greater than that of evolution.
It was the discovery, not of a fact, but of a method, the mother of
innumerable facts.  That method is, of course, what is known in scientific
theory as the method of the hypothesis.  It can be most clearly and
simply conveyed in common language by saying that it is the principle
that the best way to see if a coat fits a man is not to measure both
of them, but to try it on.  It is the replacing of the very slow,
logical method of accumulating, point by point, an absolute proof
by a rapid, experimental and imaginative method which gives us,
long before we can get absolute proof, a very good working belief.
I hear, let us say, of a certain theory about the universe.
As a trial, I assume it to be true; then, if I discover with a start that,
once assumed, it explains the boots on my feet and the nose on my face,
that my umbrella has a new and radiant meaning, that my front door
suddenly explains itself, that truths about my cat and dog and wife
and hat and sideboard crowd upon me all day and everyday, I believe
that theory and go on believing it more and more.

On the other hand, if the theory be not true, I may be perfectly
certain that ten minutes after I have experimentally assumed it,
I shall break my shins over some contradiction.  We have buttoned
the coat round the world (that rotund and patient old gentleman)
and it has split down the back.  It is surely quite obvious
that this is the method on which we base all our real beliefs
and that on this, above all, we base our belief in evolution.
Of the thousands of brilliant and elegant persons like ourselves
who believe roughly in the Darwinian doctrine, how many are
there who know which fossil or skeleton, which parrot's tail
or which cuttle-fish's stomach, is really believed to be
the conclusive example and absolute datum of natural selection?
We know scarcely anything of the Darwinian facts that lead
to conversion.  What we know is much more important:
the Darwinian facts that come after conversion.  What we know,
to use a higher language, are the fruits of the spirit.
We know that with this idea once inside our heads a million
things become transparent as if a lamp were lit behind them:
we see the thing in the dog in the street, in the pear on
the wall, in the book of history we are reading, in the baby
in the perambulator and in the last news from Borneo.
And the fulfilments pour in upon us in so natural and
continual a cataract that at last is reached that paradox
of the condition which is called belief.  We have seen so many
evidences of the theory that we have forgotten them all.
The theory is so clear to us that we can scarcely even defend it,
If we walked up to the nearest rationalist we know and asked
him to prove evolution, he would be dazed, like a man asked
to defend justice.

Now it ought to be clearly stated at this stage of philosophical
development that it is most emphatically by this method of
the successful hypothesis, of the theory that justifies itself,
that so large a number of the young in this generation
have returned to a certain doctrine of the spiritual.
What this doctrine is it may be right to state as baldly
and as briefly as possible; it is the view that the world,
closely examined, does point with an extreme suggestiveness
to the existence of a spiritual world, of a world of agencies
not apparently produced by matter, capable to some extent of
controlling and inspiring, capable to some extent of being known.
It ought, I say, to be plainly stated that numbers of us
have returned to this belief; and that we have returned to it,
not because of this argument or that argument, but because
the theory, when it is adopted, works out everywhere;
because the coat, when it is tried on, fits in every crease.
It ought to be stated because the old rationalists are rightly
indignant with us, in so far as they fancy that we base such
a tremendous doctrine on a few desperate quibbles; in so far
as they fancy, as they do, that we are hanging on to religion
by sticks and straws.... The return to the spiritual theory
rests on none of these things.  It rests, like the movement
towards evolution, on the fact that the thing works out.
We put on the theory like a magic hat and history becomes
translucent like a house of glass.

Let us begin at the beginning.  A startling and sensational event
occurred recently; I allude to the emergence of the creature
called man.  It is a recent event, cosmically considered;
it is, comparatively speaking, only a little too old to have been
headlined in the evening papers.  The newness, suddenness and utter
uniqueness of the rise of man reminds one of Japan in the East;
only it is more so.... There may be a hundred explanations of this.
No sane man would say that it involved a spiritual deduction.
But it fits in with it, and fits in with it very well, to suppose that
there is another atmosphere of life besides the animal and that this
spiritual world irrupted in some way into that creature at the moment.
The phenomenon does not prove Religion, but religion explains
the Phenomenon.  The Phenomenon is quite as solitary as the Incarnation.
It can be explained by saying that in a sense it was the Incarnation.
Then we go on.  There is one thing which the whole human race,
without any exception at all, attests.  From the dimmest ages
and lands, wherever the seed of man is found, it declares this--
that such an irruption did take place in the beginning, that they or
their fathers have had dealings with a darker or more wonderful being.
If human evidence means anything at all, this is perhaps the only
thing on which we have overwhelming evidence.

We have nearly overwhelming human witness to the necessity of morality;
we have quite overwhelming human witness to the reality of the
spiritual life.  We are ready enough to quote the evidence of all
mankind in support of police regulations or the data of ethics;
but we think mankind must be talking nonsense when, with one
universal shout it cries out to this thing which is older than sin.
That Marcus Aurelius and the Red Indians, that Hindu sages and Italian
brigands and Mr Spurgeon and Sir William Crookes should all by
various roads come to this conclusion, this is an important thing.
A more important thing still is that this belief in spirit,
so far from being a morbid thing, is held by almost all
people who are physically strong and live in the open air.
Powerful peasants and farmers six feet high all believe in fairies.
Rationalism is a disease of the towns, like the housing problem.
All this is, of course, only suggestive, but it is very suggestive.
The Phenomenon does not prove Religion; but Religion explains
the Phenomenon.... We have not returned to the spiritual
theory because of this or that triviality--because of a
justification of the Fourth Gospel or a rap on the table.
We have returned to it because, by the rejection of rationalism,
the world becomes suddenly rational.

                                              Daily News, March 14th, 1903

THE NECESSITY OF LUXURY

The great number of abuses peculiar to our present social state work
back to that one great heresy which is the perversion of Darwin; I mean
the heresy that man is an animal first and a spirit afterwards.
The truth is that man is an animal and a spirit simultaneously,
and his spiritual life is no more a luxury than his physical;
except in the sense that he cannot rationally explain why
he denies either of them.  A humane and civilized happiness
is one of man's needs, not merely one of his pleasures.
Luxury is itself a necessity.  Man does not live by bread alone but,
at the very lowest level of thought, by bread and butter.
All arguments about the treatment of the poor which are based
on the idea that we can make them first contented animals
and then go on to their souls, are false down to the root.
By giving a man just enough air, just enough oatmeal,
just enough exercise, just enough cocoa, you can not make
him a contented beast; but only a discontented man.
... We shall never really get any further with our plans
for the relief of distress until we have sufficient humility
and sense of humour to leave off talking about what people need
and bestow more attention on what they want.

                                               The Open Review, July, 1906

THE CLUB

Mankind is not a tribe of animals to which we owe compassion.
Mankind is a club to which we owe our subscription.

                                              Daily News, April 10th, 1906

THE BIG THING AND THE SMALL

Sanity does not consist in seeing things; madmen see
things more clearly than other people.  Sanity consists
in seeing the big things big and the small things small.
A man can have this sense of pro portion even if he is wrong.
... Here is one case.  Human society is the big and certain thing;
pre-human evolution is the small and fanciful thing.
To talk of `humanity's' place in evolution is to be foolish
and topsy-turvy. We do not know there was any evolution
in the sense that we know that there is humanity.
Some men hold that they are the children of apes; some that they
are the children of Adam or of Wrath or of Mumbo-Jumbo.

These are creeds.  But all men know that they are men;
all men know that they belong to a positive human society,
with rules of justice and mercy, and that they cannot
even conceive themselves belonging to anything else.
We belong to a club which is so old that nobody knows anything
about its origin.  We only know that in this club alone we can
get our meals; in this club alone we can meet our friends;
in this club alone we can sleep or argue or organize or pray.
This club holds endless debates about everything--
stars, boots, biology, sacraments, Alps, origins.
Among the many minor things our human club discusses
(for the fun of the thing) is how the club itself arose.
The question is all the more interesting because nobody can
answer it; the origins are in the fog of the utterly forgotten.
Still, it is amusing to guess, and this guess or that guess
is fashionable at any given time.  At one time the club
accepts the view that it was founded by a Mr Adam.
At another time it records a vote that it was probably an
affiliated branch of the Monkey's Club.  But these discussions
of the forgotten origins are meant to amuse the club.
No one ever dreamt of their being allowed to destroy it.
Yet they would certainly destroy the Human Club if once they meant
that we were to be rude to the members or stingy to the waiters.
This is the strongest instance I know of the big thing against
the small; that Humanity is the huge house that I live in,
while Evolution is the small but interesting animal which has
quite recently asked to be domesticated in it.

                                          Daily News, September 19th, 1908

`WORKING OUT THE BRUTE'

The worst result of popular evolutionism has been this.
It has substituted the Beast for the Devil.  It has made us think
that our enemy is what they call our `lower nature', which means our
mere lusts and appetites, things entirely innocent in themselves.
The most typical moderns have joined in this.  Tennyson, for instance,
spoke of moral improvement as `moving upward, working out the brute'.
But was he right?  Why should we work out the brute?
I no more desire, as such, to work out the brute from myself than
to work out the brute from between the shafts of a hansom cab.
The brute in me and the brute in the cab must both be kept in order.
The brute in me and the brute in the cab have both very obvious uses.
The thing that is wrong in us is not, as evolutionists say, the brute.
The thing wrong in us is the devil, the austere, intellectual virgin
devil of the medieval story.  He will suffer for evil.
He will perform heroic acts for evil...

Pigs are not corrupted with the Higher Imperialism.  Tigers have
no spiritual pride.  Whales never sneer.  Crocodiles are not
(despite a pleasing legend) in the least hypocritical.
On examining their exterior, it is difficult to understand why
anyone ever gave them credit for so vivacious and ingenious
a quality.  The worst sins of all are the purely human sins.
You may move upwards, working out the brute, and not work
them out in the least.  Nay, you may work them in.
The less beastly you grow, the more bad you may grow.

                                            Daily News, February 3rd, 1906

ORANGE PEEL AND THE FALL

This life of ours and the great pathway of history and civilization
is a road entirely carpeted with orange peel.  The obstacles
are so numerous, the complications are so varied that we live,
as it were, in an eternal crisis, in an immortal catastrophe.
We are permanently in an exceptional state; nay, we are permanently
in an unnatural state; this is what is meant by the Fall of Man.
Even if we do not admit the Fall of Man, we must admit his continuous
state of the staggers.  The apple that Eve ate was an orange;
and its peel has ever since strewed the ways of the world.

                                             The Bystander, May 11th, 1904

ORIGINAL SIN

The true doctrine of original sin may be stated in a million ways,
like every very central and solid truth.  You may put it this way:
that moral health is not a thing which will fulfil itself
automatically in any complete man like physical health.
Or this way:  that we all start in a state of war.  Or this way:
that everything in a cabbage is trying to make a good cabbage, whereas
everything in a man is not trying to make what we call a good man.
Or this way:  that virtue is a creditable thing and not merely,
like the greenness of a cabbage, an admirable thing.

                                           Daily News, September 2nd, 1905

THE OUTLINE OF THE FALL

Whether or no the garden was an allegory, the truth itself can be
very well allegorized as a garden.  And the point of it is that Man,
whatever else he is, is certainly not merely one of the plants
of the garden that has plucked its roots out of the soil
and walked about with them like legs, or, on the principle
of a double dahlia, has grown duplicate eyes and ears.
He is something else, something strange and solitary,
and more like the statue that was once the god of the garden;
but the statue has fallen from its pedestal and lies broken
among the plants and weeds.  This conception has nothing
to do with materialism as it refers to materials.  The image
might be made of wood; the wood might have come from the garden;
the sculptor presumably might, and probably did, allow for the
growth and grain of the wood in what he carved and expressed.
But my fable fixes the two truths of the truer Scripture.
The first is that the wood was graven or stamped with an image,
deliberately and from outside; in this case the image of God.
The second is that this image has been damaged and defaced
so that it is now both better and worse than the mere plants
in the garden which are perfect according to their own plan.
There is room for any amount of speculation about the history
of the tree before it was turned into an image; there is room
for any amount of doubt and mystery about what really happened
when it was turned into an image; there is room for any amount
of hope and imagination about what it will look like when it is
really mended and made into the perfect statue we have never seen.
But it has the two fixed points, that man was uplifted at the first
and fell; and to answer it by saying `Where is the Garden of Eden?'
is like answering a philosophical Buddhist by saying `When
were you last a donkey?'

The Fall is a view of life.  It is not only the only enlightening
but the only encouraging view of life.  It holds, as against
the only real alternative philosophies, those of the Buddhist
or the Pessimist or the Promethean, that we have misused
a good world and not merely been entrapped into a bad one.
It refers evil back to the wrong use of the will and thus declares
that it can eventually be righted by the right use of the will.
Every other creed except that one is some form of surrender to fate.
A man who holds this view of life will find it giving light on a thousand
things on which mere evolutionary ethics have not a word to say.
For instance, on the colossal contrast between the completeness
of man's machines and the continued corruption of his motives;
on the fact that no social progress really seems to leave self behind;
on the fact that the first and not the last men of any school
or revolution are generally the best and purest, as William Penn
was better than a Quaker millionaire or Washington better than
an American oil magnate; on that proverb which says `The price
of liberty is eternal vigilance', which is only what the theologians
say of every other virtue and is itself only a way of stating
the truth of original sin; on those extremes of good and evil by
which man exceeds all the animals by the measure of heaven and hell;
on that sublime sense of loss that is in the very sound of all
great poetry, and nowhere more than in the poetry of pagans
and sceptics--`We look before and after and pine for what is not';
which cries against all prigs and progressives out of the very
depths and abysses of the broken heart of man that happiness
is not only a hope but also in some strange manner a memory;
and that we are all kings in exile.

                                      G. K.'s Weekly, September 25th, 1926

NEUROSIS

According to [a modern critic], it is morbid to confess your sins.
I should say that the morbid thing is not to confess them.
The morbid thing is to conceal your sins and let them eat
your heart out, which is the happy state of most people
in highly civilized communities.

                                            Daily News, January 18th, 1908

THE BATTLE

The true secret and hope of human life is something much more dark
and beautiful than it would be if suffering were a mark of sin.
A mere scheme of rewards and punishments would be some thing much meaner
and more mechanical than this exasperating and inspiring life of ours.
An automatic scheme of `Karma' or `reaping what we sow' would be
just as gross and material as sowing beans or reaping barley.
It might satisfy mechanicians or monists or theosophists or
cautious financiers, but not brave men.  It is no paradox to say
that the one thing that would make suffering intolerable would
be the thought that it was systematically inflicted upon sinners.
The one thing that would make our agony infamous would be the idea
that it was deserved.  On the other hand, the doctrine which makes
it most endurable is exactly the opposite doctrine, that life is
a battle in which the best put their bodies in the front, in which
God sends only his holiest into the hail of the arrows of hell.
In the book of Job is foreshadowed that better doctrine, full of
a dark chivalry, that he that bore the worst that man can suffer
was the best that bore the form of man.

                                          The Speaker, September 9th, 1905

THE DECORATION

The Book of Job is better worth hearing than any modern
philosophical conversation in the whole modern philosophical world.
It is more philosophical.  It is much more witty and humorous.
It is, as that word is really meant, much more modern.
From it the modern Agnostic may for the first time learn Agnosticism:
a sane and sacred and manly ignorance.  From it the modern
Christian may with astonishment learn Christianity; learn, that is,
that suffering may be a strange honour and not a vulgar punishment;
that the King may be conferring a decoration when he pins the man
on the cross, as much as when he pins the cross on the man.

                              Illustrated London News, February 10th, 1906

SURPRISE

Of one thing I am certain, that the age needs, first and foremost
to be startled; to be taught the nature of wonder.

                                      Black and White, February 14th, 1903

THE PHILOSOPHY OF PUMPKINS

There is no philosophical case against miracles.
There are such things as the laws of Nature, rationally speaking.
What everybody knows is this only, that there is repetition in nature.
What every body knows is that pumpkins produce pumpkins.
What nobody knows is why they should not produce elephants and giraffes.

The question of miracles is merely this.  Do you know why a pumpkin
goes on being a pumpkin?  If you do not, you cannot possibly tell
whether a pumpkin could turn into a coach or couldn't. That is all.

All the other scientific expressions you are in the habit of
using at breakfast are words and winds.  You say, `It is a law
of nature that pumpkins should remain pumpkins'.  That only means
that pumpkins generally do remain pumpkins, which is obvious;
it does not say why.  You say, `Experience is against it'.
That only means, `I have known many pumpkins intimately and none
of them turned into coaches'....

What Christianity says is merely this--that this repetition
in Nature has its origin, not in a thing resembling a law,
but in a thing resembling a will.  Of course its phrase
of a Heavenly Father is drawn from an earthly father.
Quite equally [the] phrase of a universal law is a metaphor
from an Act of Parliament.  But Christianity holds that the world
and its repetition came by will or love, as children are begotten
by a father, and therefore that other and different things
might come by it.  Briefly, it believes that a God who could
do anything so extraordinary as making pumpkins go on being
pumpkins is, like the prophet Habakkuk, capable de tout.
If you do not think it extraordinary that a pumpkin is always
a pumpkin, think again.  You have not yet even begun philosophy.
You have not even seen a pumpkin.

                                           Daily News, September 2nd, 1905

`IN THE BEGINNING'

What is right with the world is the world.  In fact, nearly every thing
else is wrong with it.  This is that great truth in the tremendous
tale of Creation, a truth that our people must remember or perish.
It is at the beginning that things are good, and not (as the more
pallid progressives say) only at the end.  The primordial things--
existence, energy, fruition--are good so far as they go.
You cannot have evil life, though you can have notorious evil livers.
Manhood and womanhood are good things, though men and women are
often perfectly pestilent.  You can use poppies to drug people,
or birch trees to beat them, or stones to make an idol, or corn
to make a corner; but it remains true that, in the abstract,
before you have done anything, each of these four things is
in strict truth a glory, a beneficent speciality and variety.
We do praise the Lord that there are birch trees growing amongst
the rocks and poppies amongst the corn; we do praise the Lord,
even if we do not believe in Him.  We do admire and applaud
the project of a world, just as if we had been called to council
in the primal darkness and seen the first starry plan of the skies.
We are, as a matter of fact, far more certain that this life
of ours is a magnificent and amazing enterprise than we are that
it will succeed.

I am much more sure that everything is good at the beginning
than I am that everything will be good at the end.
... That all this frame of things, this flesh, these stones,
are good things, of that I am more brutally certain than I can say.
But as for what will happen to them, that is to take
a step into dogma and prophecy.  I speak here, of course,
solely of my personal feelings, not even of my reasoned creed.
But on my instincts alone I should have no notion what would
ultimately happen to this material world I think so magnificent.
I am an agnostic, like most people with a positive theology.
But I do affirm, with the full weight of sincerity, that trees
and flowers are good at the beginning, whatever happens to them
at the end; that human lives were good at the beginning,
whatever happens to them in the end.  The ordinary modern
progressive position is that this is a bad universe, but will
certainly get better.  I say it is certainly a good universe,
even if it gets worse.  I say that these trees and flowers,
stars and sexes, are primarily, not merely ultimately, good.
In the Beginning the power beyond words created heaven and earth.
In the Beginning He looked on them and saw that they were good.

All this unavoidable theory (for theory is always unavoidable)
may be popularly pulled together thus.  We are to regard existence
as a raid or great adventure; it is to be judged, therefore,
not by what calamities it encounters, but by what flag it follows
and what high town it assaults.  The most dangerous thing in
the world is to be alive; one is always in danger of one's life.
But anyone who shrinks from this is a traitor to the great scheme
and experiment of being.

                                    T. P.'s Weekly, Christmas Number, 1910

THE SAGE

If we test the matter by strict originality of outlook,
George Macdonald was one of the three or four greatest men
of nineteenth-century Britain.  He does not in the ordinary sense
occupy that position, because his art, though highly individual
and fanciful, does not reach the level of his thought and passion.
In the matter of expression, indeed, he suffered from his
originality in a way that is more common than people realize.
A man with a view of his own often cannot convey it
to others, not because he does not understand his own view,
but because he does not understand theirs.... Hence arises
a peculiar quality which may be noticed in the works of almost
every man with a novel point of view; I mean, a tendency
to become for a time unaccountably weak and obvious, to labour
the simplest pieces of sentiment, to write pages of platitude.
This, as I say, exists par excellence in the original men.
It was so with Dickens.  It was so with Victor Hugo.
It was so with Ruskin.  It was so with Thackeray.
It was most assuredly so with George Macdonald.  But those
bursts of mysterious dullness or mysterious feebleness are,
as above suggested, the direct product of the writer's bold
independence and intense originality.  He is so independent
of conventions that he becomes conventional by accident.
He is so unconscious of the beaten track that he even walks in it.

To appreciate properly men like Macdonald, it is necessary
to remember a type of man who is a pillar of simple societies,
but whom complex societies tend to turn into something else.
I mean the sage, the sayer of things.  He is not the poet, for he does
not sing; he is not the prose writer, for generally he cannot write.
The things he produces form an artistic class by themselves;
they are logia or great passionate maxims, the proverbs of philosophy.
Confucius was a man of this kind, and the real Socrates and most
of the founders of the great religions.  But in our modern and
respectable and highly specialized world we do not like to leave
an old gentleman loose about the streets merely saying things.
The man who is naturally and spiritually of this type is in our time
forced to pretend to be something else, a minor poet or a novelist
or some sad kind of political reformer.

For instance, a man in the modern world who belonged naturally
to this class in a pre-eminent degree was Walt Whitman.
Critics fuss themselves for ever about whether he was a poet
or a prose writer.  As a matter of fact, he was neither
a poet nor a prose writer; he was a sayer of great things.
He excelled in a sort of primeval epigram.  `I do not give
lectures or a little charity; when I give, I give myself.'
`Do we find life so well provided for and think that death is not
equally well provided for?'  These have all the characteristics
of the logia on which were founded the larger faiths of mankind.
And Whitman would have much preferred to have shouted them
in the streets, like John the Baptist or Mahomet, to being
obliged to include them in what he was obliged to call poems.

George Macdonald was in the same way not a born writer; he was
a born maker of spontaneous texts.  He also would have very much
preferred to walk about the streets of some Greek or eastern
village with a long white beard, simply saying what he had to say.
But just as Whitman had to label his tracts of truth poetry,
Macdonald labelled his novels.  There are some exceptions,
but in the main it is true to say that we only remember his novels,
as we only remember Whitman's poetry, by certain bursts
of an astonishing sagacity, often uttered in five words.
Anyone who has read Macdonald's novels will remember a sort
of celestial wit in some of the dialogues, retorts that seem
really like thunderbolts from heaven.

For him the secret of the Cosmos was a secret, because it
was too good to tell, The stars and all things in his world
tingled with the tension of that painful pleasure of the soul.
For him the pity of God was so positive as to be a definite
passion like thirst; it was a fierce tenderness; he was never
fired of saying that his God was a consuming fire.

                                          Daily News, September 23rd, 1905

INTIMATIONS

Matthew Arnold did not often say a thoroughly silly thing, but he did
when he criticized Wordsworth for talking of the wonderland of
childhood and objected that a man of thirty had a better appreciation
of landscape, as of course he has in the sense of landscape gardening.
But the white light which Wordsworth meant was not in the sky the child
looked at, but in the child.  He happened to be a country child;
but it was really only a geographical accident that it was meadow,
grove and stream, and not post, pavement and policeman that were
apparelled in celestial light, the glory and freshness of a dream.
Nor is it the mere memory of vigour and adventure which really is
stronger at sixteen than at six; it is quite a different sensation.
And to this day I cannot see certain things such as a white horse
or wood painted white, with out a pang of pleasure going through me
stronger than sex or the fear of death.  And unlike sex and death,
it does not concentrate; for an instant, like a lost lightning flash,
it has spread over the whole world, full of too many wonders to
be wondered at.

Here enters the psychological educationist with his subconsciousness
and his first impressions, to remark shrewdly, `This is because
somebody in your childhood gave you a wooden horse or painted it
white for you'.  To which I reply respectfully, `Yes, fool, yes.
Admirable and astonishing idiot, quite so.  But has it ever
occurred to you to ask why a pot of paint and a piece of wood
should blaze with divine beauty to anybody at any time; or why they
should do it to a child of four any more than to a man of forty?
When you have retired for a few years to reflect on the point,
we will resume this conversation.'

                                          The New Witness, June 17th, 1921

THE LITTLE THINGS

Sir Thomas Browne was an exalted mystic [whose mysticism] owed
much to his literary style.  Style, in his sense, did not
merely mean sound, but an attempt to give some twist of wit
or symbolism to every clause or parenthesis; when he went over his
work again, he did not merely polish brass, he fitted in gold.
This habit of working with a magnifying glass, this turning
and twisting of minor words, is the true parent of mysticism;
for the mystic is not a man who reverences large things
so much as a man who reverences small ones, who reduces
himself to a point, without parts or magnitude, so that to him
the grass is really a forest and the grasshopper a dragon.
Little things please great minds.

                                          The Speaker, December 15th, 1900

`MERE PARADOX'

The simplest and commonest of all the causes which lead to the charge of
`mere paradox' being slung about as it is, is one fundamental assumption.
Everybody takes it for granted that universal and ordinary arrangements,
historic institutions, daily habits are reasonable.  They are good,
they are sensible, they are holy and splendid often enough, but they
are not reasonable.  They are themselves paradoxes; paradox is built
into the very foundations of human affairs.

                                      Black and White, February 14th, 1903

THE HIPPOPOTAMUS AND THE CROCODILE

There is one central conception of the book of Job which
literally makes it immortal, which will make it survive
our modern time and our modern philosophies, as it has
survived many better times and many better philosophies.
That is the conception that the universe, if it is to be admired,
is to be admired for its strangeness and not for its rationality,
for its splendid unreason and not for its reason.
Job's friends attempt to comfort him with philosophical optimism,
like the intellectuals of the eighteenth century.
Job tries to comfort himself with philosophical pessimism,
like the intellectuals of the nineteenth century.
But God comforts Job with indecipherable mystery, and for the first
time Job is comforted.  Eliphaz gives one answer, Job gives
another answer, and the question still remains an open wound.
God simply refuses to answer, and somehow the question is answered.
Job flings at God one riddle, God flings back at Job a hundred riddles,
and Job is at peace.  He is comforted with conundrums.
For the grand and enduring idea in the poem, as suggested above,
is that if we are to be reconciled to this great cosmic experience,
it must be as something divinely strange and divinely violent,
a quest or a conspiracy or some sacred joke.  The last chapters
of the colossal monologue of the Almighty are devoted,
in a style superficially queer enough, to the detailed description
of two monsters.  Behemoth and Leviathan may or may not be
the hippopotamus and the crocodile.  But whatever they are,
they are evidently embodiments of the enormous absurdity of nature.
They typify that cosmic trait which anyone may see in the
Zoological Gardens, the folly of the Lord which is wisdom.
And in connection with one of them, God is made to utter a splendid
satire upon the prim and orderly piety of the vulgar optimist.
`Wilt thou play with him as with a bird?  Wilt thou bind him
for thy maidens?'  That is the main message of the book of Job.
What ever this cosmic monster may be, a good animal or a
bad animal, he is at least a wild animal and not a tame animal.
It is a wild world and not a tame world.

                                          The Speaker, September 9th, 1905

CHANGE AND DECAY

All this talk about optimism and pessimism is itself
a dismal fall from the old talk about right and wrong.
Our fathers said that a nation had sinned and suffered, like a man.
We say it has decayed, like a cheese.

                                  Illustrated London News, July 10th, 1920

THE ENEMIES OF JOY

It is a blunder to imagine, as many do, that those who agree
with me wish to make every man a Robinson Crusoe, making all his
own clothes and living only for himself.  As a fact, the peasant,
though he has much of the handy universality of Robinson Crusoe,
can never be content with the solitude of Robinson Crusoe.
A peasant lives in a peasantry and not on a desert island.
He is by nature as ready for co-operation as he is resolute
against communism.  Still, there is something symbolic in the figure
of Robinson Crusoe and especially in its fascination of the
innocent imagination of the most creative period of childhood.
Why is it that a child is delighted with the idea of Robinson Crusoe,
complete with his gun and umbrella, his goat and parrot, his axe
and antiquated sword?  It is precisely because he is complete
and also compact; that he has a limited number of things but
these things immediately at hand and directly under his control.
It is equally or perhaps even more because these things have been
barely snatched from the bottomless peril of shipwreck and the dark
infinity of the sea.  That is the right view of the good things
of life; we should possess them directly, but we should possess
them thriftily and above all, we should possess them thankfully.
They and we have been saved by God out of the sea of nothing
and the night that was before the world.

Now in the course of my life I have seen this compact conception,
symbolized by Robinson Crusoe in the children's books,
attacked by two opposite enemies, but with equal enmity.
The old enemy called itself pessimism; the new enemy calls
itself Progress and Optimism; but both invade the desert
island with the destructive frenzy of the cannibals.
The old fashion took the form of pointing out how very desert
was the desert island, how very dull was the life of Crusoe
and how very insignificant, intrinsically considered, was each
of the pleasures that remained to him.  What was a parrot but a
proverb for something that repeated itself over and over again?
What is the use of a goat--except to play the goat?
What is an umbrella, said one sad philosopher, but something which
can only be opened when it is shut and then shut when it is open?
He always implied that life was dreary on a desert island
only because it would be dreary anywhere else.  For him England
was a desert island; for him the coming of Friday would indeed
have marked a day of ill luck.  He was the sort of pessimist
who curses both the solitude and the intruder on the solitude.
This sort of sweeping negation moved me in my youth to a romantic
revolt and a wild enthusiasm for the poetry of umbrellas.
I shocked some critics by a sympathy with playing the goat;
others still more by a sympathy with playing with the gun.
But while I valued these things, I valued them most of all
because they were few and clear, and picked out in conspicuous
colours against the desolation of the destructive sea.

I have since seen something which claims to be the contrary
philosophy, but for me is the same heresy.  The world has
improved on the one parrot by becoming a screaming parrot-house.
It has improved on the faithful goat by filling the island
with herds and herds of goats that have not a goatherd.
I have seen it proclaimed that Crusoe's umbrella will be universally
popular if it is expanded into the awning of a universal pavilion,
placarded with advertisements of pills or pictures of mixed bathing.
I have seen even the gun excused if it is a big enough gun
manufactured by a big enough firm; and the axe counted innocent
if it is what we call `an axe to grind'.  Yet all this paradise
of perfect happiness fails to lift my heart or reawaken the faintest
hint of that first romantic interest in Robinson Crusoe.
And the reason is that this sort of sweeping generalization,
quite as much as the old sweeping negation, implies a contempt for
the few original facts of the story which alone made it interesting.
The optimist, as much as the pessimist, asks what is
the good of one shabby old umbrella or one shaggy old goat.
That is, he commits the star-blasting blasphemy of depreciating
the things that the man has actually saved from the wreck.
The sin of the optimist is that he does not recognize the wreck;
as the sin of the pessimist is that he does not recognize the rescue.

Now I am fundamentally convinced that the only thing worth calling
a thrill (to use the juvenile jargon of today) is the thought
that comes in the transition from the wreck to the rescue.
It belongs to a class of thoughts which are best represented
by thanks, but which are approximately represented by an
imaginative realization of what is and what might have been.
It exists on an edge, like the edge of the land and sea; and is
unknown to the suicide who feels himself a castaway in mid-ocean
and to the self-satisfied settler who has travelled so far inland
as to forget the bright fear or shining mystery of the sea.
All real happiness I have ever had or have ever seen anybody else
having had something in it of that first unfamiliarity and shyness;
and it is lost by the pride of possession as by the pride
of refusal.  Therefore those who say they are running after
the thrill are in reality running away from the thrill.
They are leaving it further and further behind, the more they
accumulate more luxuries than they can enjoy or combine more
pleasures than they can distinguish.

                                        G. K.'s Weekly, October 11th, 1930

AUTOBIOGRAPHY

The heresies that have attacked human happiness in my time
have all been variations of either presumption or despair;
which in the controversies of modern culture are called optimism
and pessimism.  And if I wanted to write an autobiography
in a sentence (and I hope I shall never write a longer one),
I should say that my literary life has lasted from a time
when men were losing happiness by despair to a time when they
are losing it by presumption.

                                                Blackfriars, January, `923

LIFE AND LIBERTY

    (This next passage was obviously not written by Chesterton. It is
    presumably a write-up of an interview with him but is worth including
    here for its intrinsic interest.)

I was brought up in a fairly typical middle-class English family.
My father had been prosperous in business and he had felt that something
more than business was needed to square oneself with the universe.

He was a Unitarian.

There was not a Unitarian tradition in the family.
But that was the mode of the age.

And I think that from my very junior youth I felt that some thing
more was needed.

I don't think that I myself have ever changed.

From the beginning I think I was staggered by the stupendous marvel
of existence--by the miracle of sunlight coming through a window,
by the miracle of people walking on legs through the streets,
by the miracle of people talking to each other.

This marvel fascinated me, as it does today.

And I said to myself--or I might have said to myself--well, is not
that enough?  And Echo might have answered:

`Yes, it is enough.  If you see it.  And if you will always see it.'
Rather a large mouthful for Echo!  But as a matter of fact,
that is what Echo said.

Which brings me to what was an important event in my life, though,
as I say, thinking led up to it.

I got hold of Leaves of Grass by Watt Whitman, I called it then
a revelation.  It put in black and white the things I had always known.
The glory and magic of God's universe--the shows of night and day
and `in the midst, God's beautiful right hand'.

Well, very soon I found that those who imitated Whitman's irregular
lines missed out the magic of the universe and were definitely
antagonistic to God's beautiful right hand.  That was disturbing.
God was all right, the universe was all right, Whitman was all right.
But something had gone wrong.

Then again, as a very young fellow, I was a Socialist.

I think I have always hated the idea of things being done
from a centre.

I hated bureaucracy.

But they told me that if I wanted to get rid of the manifold
iniquities of aggressive capital, of interest, I must get rid
of private property.

And so I believed them.

Although what I really believed in was the sort of thing
that William Morris pictures, with every craftsman running
his own show.

Perhaps the catastrophic event--if you want one--
was the South African War.

There I saw something which seemed to me to be the meanest kind of
financial grab, supported by fine sincere fellows like Stopford Brooke
(at whose feet I had sat as a child), York Powell and the Fabians--
apparently merely because the British Empire was big and the
Transvaal Republic was little.

That stirred me up.  Why did all these fine men and women go wrong?

Again, I have always believed in Liberty.

But I noticed that all those who said they believed in Liberty
and nothing else, proceeded at once to shackle themselves.

Look at the old S.D.F.-ers. Splendid fellows like Hyndman and Bax!

But what they did was to adopt an economic creed (which the Russians
hold today) that everything that happens must happen--that, in fact,
nobody can be free.  It seemed a poor way to use your freedom.

And, mark you, I have noticed that the modern idea of freedom
seems to be that you are not to be allowed to bring up your family
as you choose, that you are not to be allowed to marry as you choose,
that you are not to be allowed to drink as you choose.

I soon came to realize that liberty was a more complicated
thing than I had imagined and that it seemed to need somebody
(perhaps God) standing outside human life as an arbiter.

One of the things that have made a difference to me is owning my own place
in the country.  I was born and bred a Cockney.  I was altogether urban.
And then I moved into the country and bought a field.  My own field!
My very own!

And then I built a studio on it.  My very own studio.
I could enact my own (or my wife's) plays in that studio
and whoever said me nay could go to blazes.  And then the house
grew on to the studio.

And now I am proud to say that I can grow in my garden enough
to keep my family alive if our toppling system of credit went
to pieces and our great cities were famine-stricken.

Yes, I have learnt the meaning of ownership.  I know what
liberty really means.

But I cannot leave out God.  For I have seen so many things go
wrong when they left out God.

Liberty became licence--desperate, sordid licence--
or became sheer slavery, property became monopoly.
And the miracle of everyday life became of no account at all.

And so I, who began as a Protestant, remain one as a Catholic--
a Protestant against the destruction of all the material, simple things.

I have not changed.  God made me; and here I am.
Socialism failed me and I have turned my back on that because it
was not social.

Protestantism failed me and I have turned my back on that because it
did not protest.

These things endure:  life and liberty and the boundless magic
of night and day--and what comes after.

                                              Daily Sketch, May 14th, 1931

THE LESSON

Pessimism is a thing which is learnt from books, as sorrow
is a thing learnt from life.  Sorrow can never be pessimistic,
for it is founded upon the value of things.

                                               Daily News, June 13th, 1903

THE TRUE CRITIC

Optimism is said to be unpopular just at present, and optimism
in criticism lies under a specially withering disdain.
But for all that, criticism will have to become more
optimistic or lose altogether its hold upon the future.
The only bad thing about criticism is its name.
It is derived from a word signifying a criminal judge,
and hitherto it has been supposed in consequence that criticism
has to do with literary crimes.  The favourable judgement
of the critic has always been, in the ordinary opinion,
to acquit a man of sin, not to convict him of a merit.
If criticism were in a sound state, it would have discovered
some one epithet to express the value of Coleridge instead of half
a hundred epithets to express the uselessness of Marie Corelli.

Optimism, or the utmost possible praise of all things, ought to be
the keynote of criticism.  It may appear to be an audacious assertion,
but it may be tested by one very large and simple process.
Compare the reality of a man's criticism when praising anything
with its reality when excluding anything, and we shall all feel
how much more often we agree with the former than with the latter
... In praising great men we cheerfully agree to a superlative,
but we emphatically decline a comparative.  We come very near
to the optimism of that universal superlative which in the morning
of the world declared all things to be very good.

One of the results of this fact is that when a critic is really
large-minded and really sympathetic and comprehensive, and really
has hold of a guiding and enlightening idea, he should still watch
with the greatest suspicion his own limitations and rejections.
His praise will almost certainly be sound; his blame should always
remain to his own mind a little dubious.

                                                The Speaker, May 3rd, 1902

FAIRY TALES

Fairy tales are the only true accounts that man has ever given
of his destiny.  `Jack the Giant-Killer' is the embodiment
of the first of the three great paradoxes by which men live.
It is the paradox of Courage:  the paradox which says,
`You must defy the thing that is terrifying; unless you
are frightened, you are not brave.'  `Cinderella' is the
embodiment of the second of the paradoxes by which men live:
the paradox of Humility which says `Look for the best in the thing,
ignorant of its merit; he that abases himself shall be exalted'.
And `Beauty and the Beast' is the embodiment of the third
of the paradoxes by which men live:  the paradox of Faith--
the absolutely necessary and wildly unreasonable maxim which says
to every mother with a child or to every patriot with a country,
`You must love the thing first and make it lovable after wards.'

                                           The World, September 27th, 1904

THE ETHICS OF FAIRYLAND

Of all forms of literature, it seems to me, fairy tales give
the truest picture of life.  There may be errors in detail,
but in a world so full of strange things they scarcely matter.
Two-headed giants and beanstalks that climb up into the sky may
not be true, but assuredly they are not too wonderful to be true.
But the atmosphere of the fairy tale is astonishingly true to life.
It deals with the silent witchery that lies in common things,
corn and stones and apple trees and fire.  It presents these,
no doubt, as magic stones and magic apple trees, and if anyone
will stare at them steadily in a field at twilight, he will find
himself quite unable to assert that they are not magic.

Let me take one quite practical example of the truth of fairy tales.
In these stories success is made to depend upon a number of small
material objects and observances; life is a chain of talismans.
If a man touches three trees in passing, he is safe; if he touches four,
he is ruined.  If the hero meets a miller without a beard, he is to answer
none of his questions.  If he plucks a red flower in a particular meadow,
he will have power over the mighty kings of some distant city.
Now this poetic sense of the decisiveness of some flying detail is a
thousand times more genuine and practical than the pompous insistence on
some moral or scientific law which is the basis of most realistic novels.
None of us know when we have done something irrevocable.  Our fate has
been often decided by the twist of a road or the shape of a tree.
Nay, it has often been decided by an omnibus or an advertisement,
and there can there fore be little reason for denying that it is a magic
omnibus or a magic advertisement.

The great truth and value of the fairy-tale view of life cannot
be better conveyed than by saying that it chiefly arises
from the entire absence of the supernatural in fairy tales.
There is no miraculous department there, nothing conceived
as outrageous or exceptional, nothing that recalls crystal-gazing
and planchette.  There is no trace or hint of that modern
`spiritual world' which implies that this world is not spiritual.
In the fairy tales, portents are orderly and inevitable;
they are part of the very texture of natural life.
In a place so strange as this earth it is as natural to meet
griffins and witches and three-headed dogs as to meet geese
and oxen.  This earth of ours is conceived as a place full
of innumerable marvels ... The fairy-tale hero is impressed,
doubtless, when the pumpkin turns into a coach or the castle
soars into the air.  But he is not impressed for the mean
and stupid reason that he had thought the world was prosaic.
Life for him is an illimitable sea of monsters.
He is often astonished, but, if I may employ the phrase,
he would be more astonished if he were not astonished.

It is a great mistake to imagine that fairy tales are either
immoral or unmoral.  They do not tally with the trivialities
of every particular moral code, but in this respect they
resemble all works of art.... In them we see the great lines
of elementary laws and ideals as we see them nowhere else.
We learn first and foremost that all doors fly open to courage
and to hope.  We learn that the world is bound together
in mysterious bonds of trust and compact and prevision,
and that even green dragons keep their promises.
We learn that nothing is wasted in the mills of the world,
that a jewel thrown into the sea, a kindness to a stricken bird,
an idle word to a ragged wayfarer, have in them some terrible
value and are here bound up with the destiny of men.
Nothing is more typical and recurrent in the ethics of
the fairy tale than the great idea that nothing can be lost.
... The world is ruled by a sublime parsimony; there is no
such thing as a dustbin in the house of God.

This is one very characteristic moral of fairy tales,
the idea of the indestructibility of an essence or an act.
Another fully as common and even more essential is the great idea
which lies at the heart of the story of `Beauty and the Beast'
and a hundred kindred tales; the idea that by loving a thing
we make it beautiful.  The fairy tale warns us to be on our
guard against the disguises of things and to regard every ugly
and repellent exterior with a hopeful and divine suspicion.

But all these massive fragments of primitive morality are secondary
to the great moral spirit which is the very heart of the fairy tales.
That spirit is the principle appearing and reappearing in a thousand
folklore stories, that nothing can do a man harm unless he fears it.
At no time in the history of civilization, perhaps, has there been
so much need to recall the ethics of the ancient warfare of Jack
against the Giant, of the small against the gigantic.  Those who in
our day express a peculiar sympathy with the weak in their struggle
against the strong are often accused of indulging a hyper-sensitive
humanitarianism unknown to the robuster ages of the world.
The thing is a delusion.  The sympathy for the weak against the strong
speaks out of the oldest twilight; it is the very backbone of
the most savage stories with which we have to deal in anthropology.
For the fairy tale is only the history of man himself, at once
the weakest and the strongest of the creatures.

                                           The Speaker, October 12th, 1901

DIVINE IMMANENCE

It is evident that, though all things are divine, all things are limited.
And among other divine things, man himself is limited.
He has not the memory nor the imagination nor the vigilance nor
the sheer physical health to realize the Godhead in every atom or object
that passes under his hands.  A person who never neglected any object:
a man who burst into religious tears as he fastened a divine collar
with an inspired collar-stud, and continued thus with everything
he looked at, would go mad in five minutes; he would see God and die.
The only things which man, a limited animal, can do in this matter,
are two; first, he can believe (as an absolute thing of faith)
that there is this divinity in things, whether he sees it or not;
second, he can leave himself reasonably open to those sudden revelations
whereby one or two of these things--a cloud, a man's face, a noise
in the dark--may for some reason no one has ever been able to offer,
capriciously reveal its divinity....

I believe that every object is divine in a very definite
and thorough sense.  I believe, that is to say, that there is
a great pressure of spiritual reality behind things as they seem,
and of this view, as I have said continuously, the proof lies
in the explanation it affords of countless human affairs.
And I believe that the supreme instance and the supreme demonstration
of it is this; that if a man, dismissing the Cosmos and all
such trifles, looks steadily and with some special and passionate
adoration it some one thing, that thing suddenly speaks to him.
Divinity lurks not in the All, but in everything; and that,
if it be true, is the explanation of a load of human chronicles,
of a cataract of human testimony of all the religions,
and all the wild tales of the world.... Providence desires
its gifts received, intensely and with humility and it is
possible to look at one of them steadily and confidently until,
with a great cry, it gives up its god.

                                              Daily News, March 24th, 1903

A LOCAL HABITATION

It is not enough for a religion to include everything.
It must include everything and something over.  That is,
it must include everything and include something as well.
It must answer that deep and mysterious human demand for something
as distinct from the demand for everything, even if the nature
of that demand be too deep to be easily defined in logic.
It will never cease to be described in poetry.
We might almost say that all poetry is a description of it.
Even when you have only natural religion, you will still
have supernatural poetry.  And it will be poetic because it
is particular, not because it is general.  The new priest
may proclaim, `The sea is God, the land is God and the sky
is God; but yet there are not three Gods, but one God'.
But even if the old priest be silenced, the old poet will
always answer, `God is in a cave; God is in a stable; God is
disguised and hidden.  I alone know where he is; he is herding
the cattle of Admetus, he is pouring out the wine of Cana.'
The new republic may make the philosophical declaration, `We hold
these truths to be self-evident, that all trees are evolved
equal and endowed with the dignity of creative evolution.'
But if in the silence that follows we overhear the poor nurse
or the peasant mother telling fairy tales to the children,
she will always be saying, `And in the seventh garden beyond
the seventh gate was the tree with the golden apples';
or `They sailed and sailed until they came to an island, and on
the island was a meadow, and in the meadow the tree of life'...

Now if this particularism always stubbornly recurs
even in poetry, how can it be left out of philosophy?
What is the meaning of this incurable itch to give to airy nothing,
or still more airy everything, a local habitation and a name?
Why is it always some thing at once odd and objective, a precious
fruit or a flying cup or a buried key, that symbolizes the mystery
of the world?  Why should not the world symbolize the world?
Why should not a sphere sufficiently symbolize universalism,
so that the faithful might be found adoring a plum-pudding
or a cannon-ball?  Why should not a spiral sufficiently
represent progress, and the pious bow down before a corkscrew?
In practice we know that it would be impossible to dissociate
a Christmas pudding from the sacramental specialism of Christmas;
and the worship of the corkscrew, that hieratic serpent,
would probably be traced to the mysteries of Dionysius.
In a word, why are all mysteries concerned with the notion
of finding a particular thing in a particular place?
If we are to find the real meaning of every element
in mythology, what is the real meaning of that element in it?
I can see only one possible answer that satisfies the new more
serious and sympathetic study of religion, even among sceptics,
and that is that there really is something to which all
these fancies are what forgeries are to a signature;
that if the soul could be satisfied with the truth, it would
find it a tale as particular, as positive and as personal;
that the light which we follow first as a wide white star
actually narrows as we draw nearer to it, till we find that
the trailing meteor is something like a light in a window
or a candle in a room.

                                              New Witness, July 15th, 1921

SACRAMENT OR MAGIC

Whenever men really believe that they can get to the spiritual,
they always employ the material.  When the purpose is good,
it is bread and wine; when the purpose is evil, it is eye
of newt and toe of frog.

                             Illustrated London News, September 22nd, 1906

THE CONCRETE AND THE ABSTRACT

Thinkers of [a certain] school have a tendency to believe
that the concrete is the symbol of the abstract.
The truth, the truth at the root of all mysticism, is quite
the other way.  The abstract is the symbol of the concrete.
This may possibly seem at first sight a paradox; but it
is a purely transcendental truth.  We see a green tree.
It is the green tree that we cannot understand; it is the green
tree which we fear; it is the green tree which we worship.
Then, because there are so many green trees, so many men,
so many elephants, so many butterflies, so many daisies,
so many animalculae, we coin a general term `Life'. And then
the mystic comes and says that a green tree symbolizes life.
It is not so.  Life symbolizes a green tree.  Just in so far
as we get into the abstract, we get away from the reality,
we get away from the mystery, we get away from the tree.
And this is the reason that so many transcendental discourses
are merely blank and tedious to us, because they have to do
with Truth and Beauty and the Destiny of the Soul and all
the great faint, jaded symbols of the reality.  And this is why
poetry is so interesting to us, because it has to do with sides,
with woods, with battles, with temples, with women and with wine,
with the ultimate miracles which no philosopher could create.
The difference between the concrete and the abstract
is the difference between the country and the town.
God made the concrete, but man made the abstract.
A truthful man is a miracle, but the truth is a commonplace.

                                               The Speaker, May 31st, 1902

THE LIGHT AND THE HEAT

The Jews, with their wonderful instinct for practical religion,
swore that he who looked upon Jehovah died; but in a large
number of transcendental schools and sages the sentence
of death has been commuted to a doom of gibbering idiocy.
To the Buddhists was given a conception of God of extraordinary
intellectual purity; but in growing familiar with the
featureless splendour, they have lost their heads; they babble;
they say that everything is nothing and nothing is everything,
that black is white because white is black.  We fancy that the
frightful universal negatives at which they have at last arrived,
are really little more than the final mental collapse of men
trying always to find an abstraction big enough for all things.
`I have said what I understood not, things too great for me
that I know not.  I will put my hand upon my mouth.'
Job was a wise man.... Buddhism stands for a simplification
of the mind and a reliance on the most indestructible ideas;
Christianity stands for a simplification of the heart
and a reliance on the most indestructible sentiments.
The greater Christian insistence upon personal deity and
immortality is not, we fancy, the cause so much as the effect
of this essential trend towards an ancient passion and pathos
as the power that most nearly rends the veil from the nature
of things.  Both creeds grope after the same secret sun,
but Buddhism dreams of its light and Christianity of its heat.
Buddhism seeks after God with the largest conception it can find,
the all-producing and all-absorbing One; Christianity seeks
after God with the most elementary passion it can find--
the craving for a father, the hunger that is as old as the hills.
It turns the whole cry of a lost universe into the cry
of a lost child.

                                          The Speaker, November 17th, 1900

A NOTE ON COMPARATIVE RELIGION

Christianity is not a religion; it is a Church.  There may be a
Moslem religion; but it would not come natural to anybody to talk
about the Moslem Church.  There may be a Buddhist religion; but nobody
would call it the Buddhist Church.... I say that the very idea
of a Catholic Church is sui generis, apart from claims to embody it.
I am not now talking about the comparison with Christian heresies,
but of the comparison with heathen religions.  It does indeed illustrate
the incongruous and incomparable assortment of rival religions
that one of them does actually belong to this other category.
One of the heathen religions really is a Christian heresy.
The more we know of the great Moslem movement, the more we see
that it was really a post-Christian revision, or subsequent
simplification rather like the Arian movement.  Of the other things
that we call Eastern religions many existed before Christianity,
and almost any might have existed without Christianity.  I take it
as certain that Islam would never have existed without Christianity.
I take it to be as clear as that Calvinism or Lollardism or Lutheranism
would never have existed without Christianity.  Nor was the Moslem
movement in the modern sense anti-Christian. It gave to Christ as high
a moral position as is given Him by most Unitarians, and indeed
a more supernatural status than is given by some Broad Churchmen.
To do Mahomet justice, his main attack was against the idolatries
of Asia....

Now we might apply this principle of differentiation
to each of the rival religions in turn.  Each of them is
not only in a different category from the Catholic Church,
but in a different category from the others.  Islam, if it
is to go into a class at all, ought not to go into a class
of Islam, Christianity, Confucianism and Brahminism, but rather
into a class of Islam, Manicheeism, Pelagianism and Protestantism.
In the same way, Buddha ought not really to go into a class
of Buddha, Christ, Mahomet and the rest; but rather into
some such class as Buddha, Pythagoras, Plato and so on.
He belongs to that class of philosophical mystics for whom
what we commonly call religion was really only symbolical,
and the main matter was a metaphysical unification.
He may have had some of the virtues of a saint,
but he was in reality a sage.  He may have been what we call
an idealist; he was also something very like a pessimist.
But anyhow he was not a Church and did not found a Church.
To consider what he did found, we should have to go back to the
foundations in Brahminism; and when we do so, we find that this
in turn is not another variation of the same thing, but an utterly
different sort of thing with variations of its own.  It is rather
an old popular mythology, like our own old pagan mythology.
At the back of it Brahminism is probably nature-worship,
and Buddhism is certainly the very opposite of nature-worship.
It would be true to call it an iconoclasm directed to destroy
the idol called nature.

Finally, it is fairly clear that Confucianism is not a religion,
unless the English public-school system is a religion
or the Kultur of imperial Germany was a religion.
In a sense they may be so described, since everything rests on
a conscious or unconscious religion, or negation of religion.
But nobody would call any of them a Church; and nobody can
compare them with a Church calling itself dogmatic and divine.
All these disparate things, of which one is an imitation
and another a doubt and another a book of etiquette,
have nothing in common except that they are none of them Churches;
and that they are all examples of the various things in which man
might be expected to experiment in the absence of a Church.
...

It is a simple and historical fact about the Catholic Church
that its character is as extraordinary as its claim.
It is not merely the only thing that deserves a particular
kind of service; it is the only thing that asks for it.
It is quite possible to be a pagan and hate the Church;
it is equally possible to be a pessimist and hate the universe.
But there is one Church exactly as there is one universe;
and no wise man will wander about looking for another.

                                                  Blackfriars, March, 1923

ASSIMILATION AND REJECTION

The instant it is said that we should take the good things from every
atmosphere or system, an immediate question springs to the lips.
But what about the bad things? ... A religion should not only be
instinctively absorbent of whatever is consonant with its ideal;
it should be instinctively resistant to anything that is against
that ideal.  Men look to a faith to purge them of all native
poisons as well as to develop all native functions and pleasures.
A Church should have drainage as well as ventilation.
It should drive bad smells out as well as let good smells in;
it should not only cast out devils, but keep them out.

                                              Daily News, March 19th, 1910

THE WINTER FEAST

It is the greatest glory of the Christian tradition that it
has incorporated so many Pagan traditions.  But it is most
glorious of all, to my mind, when they are popular traditions.
And the best and most obvious example is the way in which
Christianity did incorporate, in so far as it did incorporate,
the old human and heathen conception of the Winter Feast....

There is a perfectly natural parallel between a religion
that defies the world and a ritual that defies the weather.
Heathenism in the sense of hedonism, the concentration of
the mind on pure pleasure as such, would chiefly concentrate
on the conception of a Summer Feast.  But in winter even a rich
man receives some faint hint of the problem of a poor man;
he may avoid being hungry, but he cannot always avoid being cold.
To choose that moment of common freezing for the assertion
of common fraternity is, in its own intrinsic nature,
a foreshadowing of what we call the Christian idea.  It involves
the suggestion that joy comes from within and not from without.
It involves the suggestion that peril and the potentiality
of pain are themselves a ground for gratitude and rejoicing.
It involves the suggestion that even when we are merely Pagans,
we are not merely Pantheists.  We are not merely nature worshippers;
because a man smiles when nature frowns.  It has always involved,
under varying limitations in varying societies, the idea of hospitality,
especially hospitality to the stranger and generally to the poor.
Of course there are perfectly natural reasons for wanting
to drink wine or warm ourselves at the fire in winter;
but that is not an answer, except to those who have the ill-informed
prejudice that Christianity must be opposed to things merely
because they are natural.  The point is in making a point of it;
the special interest is in the special occasion, in the fact that
during the Winter Feast, whether Pagan or Christian, there always
was in some degree the idea of extending the enjoyment to others,
of passing round the wine or seating the wanderer by the hearth.
It is no controversial point against the Christians that they felt
they could take up and continue such traditions among the Pagans;
it only shows that the Christians knew a Christian thing when
they saw it.

The real history of Christmas is very relevant to the real crisis
of Christendom.  We live in a terrible time of war and rumour of war;
with a barbaric danger of the real reaction that goes back, not to
the old form, but to the old formlessness.  International idealism
in its effort to hold the world together in a peace that can resist
wars and revolutions, is admittedly weakened and often disappointed.
I should say simply that it does not go deep enough.
Christianity could draw life out of the depths of Paganism;
but mere Modernism cannot draw on the depths of either.
Charity is too much of a manufactured article and too little of a
natural product.  The League of Nations is too new to be natural.
The modern materialistic humanitarianism is too young to be vigorous.
If we really wish to make vivid the horrors of destruction and mere
disciplined murder, we must see them more simply as attacks on
the hearth and the human family.  If we want to talk about poverty,
we must talk about it as the hunger of a human being, a pain as
positive as toothache; and not as the fall in wages or the failure
of imports or even the lowering of the economic standard of living.
We must say first of the beggar, not that there is insufficient
housing accommodation but that he has nowhere to lay his head.
We must say first of the human family, not that there are no jobs
for them in the factory, but that there is no room for them in the inn.
That is, we must talk of the human family in language as plain
and practical and positive as that in which mystics used to talk
of the Holy Family.  We must learn again to use the naked words
that describe a natural thing, and dispense for a moment with
all those sociological polysyllables with which an artificial
society has learned to talk of it as an artificial thing.
Then we shall draw on the driving force of many thousand years,
and call up a real humanitarianism out of the depths of humanity.

                                         G. K.'s Weekly, January 2nd, 1936

THE THREE GIFTS

There were three things prefigured and promised by the gifts
in the cave of Bethlehem concerning the Child who received them;
that He should be crowned like a King:  that He should be
worshipped like a God; and that He should die like a man.
And these things would sound like Eastern flattery, were it
not for the third.

                                       G. K.'s Weekly, December 12th, 1931

THE SPRING IN THE SOUL

Easter which opens on earth the gateway of the Spring, has been
for all our race and culture the season of Resurrection.
But in diseased conditions like our own there has come to be a standing
quarrel between two schools about the order of the two ideas.
Christians and all inhabiters of the ancient culture feel that Spring
is the symbol of Easter.  Materialists, notably all sorts of
atheist anthropologists, hold that Easter was only a symbol of spring.
Professors of folklore insisted that primitive men (with whom they
seemed to be on very intimate terms) had made up a rather unnatural
masquerade of myth, merely to cover the natural facts of experience.
By the time that common sense began to pluck up courage to question
what were called the Conclusions of Science, it became apparent
that there were a good many questions which science could not answer,
and a good many points on which her conclusions were anything
but conclusive.  Why should anyone want to cover up ordinary
facts with an extraordinary story?  Why should anybody think
he could keep the grass a secret by the invention of a grass-god?
And why could not primitive man be primitive enough to leave plain
facts as they were?  Was it not much more natural to imagine
flowers or foliage as ornaments for a god or hero than to imagine
a hollow idol invented only to stand between men and flowers?
Is it not more sane to say that the visible renewal of the earth
gives hints or signs to those who already believe in heaven?
But whatever mysteries were accepted by the ancient pagans have
become mere mystifications in the minds of the modern Pantheists.
I imagine no man's mind was ever in so complete a muddle as
the mind of the great poet Shelley when he wrote the famous line,
`If winter comes, can spring be far behind?'

To begin with, the more chilly are in the habit of reminding the poet
that when Winter comes, Spring is at least a quarter of the year behind.
But it will also strike the natural man (as distinct from
that most unnatural man whom we call the nature-worshipper)
that it would be just as easy to turn the phrase from optimism to
pessimism by taking another section of the year.  It would be quite
as sensible to say, `If summer comes, can autumn be far behind?'
And it is probably within the range of the intelligence,
even of a pantheist surveying the whole universe, to foresee
that Winter will not only come, but will certainly come again.
There is nothing but nonsense, therefore, in all pretences that
the mere round of Nature itself is the source of our highest hopes
or could by itself have evolved all that is meant by Resurrection.
It is the soul that has received an unspeakable secret from heaven
which it can only express in images of the earth, and naturally
expresses in terms of the temporary resurrections of the earth.
In other words, it uses Spring as a symbol of Easter; not Easter
as a symbol of Spring.  Anyone who will compare the beautiful lines
of Shelley with some equally beautiful lines in one of Mr Belloc's
sonnets will measure the difference made by a philosophy that happens
to make sense.

  For as you pass, the natural life of things
  Proclaims the Resurrection; as you pass,
  Remembered summer shines along the grass
  And something in me of the immortal sings.

Here the poet does not talk as if next spring would last for ever;
on the contrary, he talks of last summer that is already dead.
But he can sing over both because of something in him different
which does not die.

In this Spring more than all the other Springs, in this Easter
more than all other Easters, we have to face the awful exaltation
of that truth.  I mean the truth that Resurrection is of faith
and not of any false analogy from the senses or the seasons.
Three things at least, peculiar to the present time, prevent us
from identifying that hope with a revival or riot of vegetation.
First, the beautiful condition to which a few centuries
of progress have reduced half the landscapes of the land.
Remembered summer does not shine along the grass in Pudsey
or Wigan, because there is no grass to shine.  The natural
life of things does not proclaim the Resurrection in Sheffield
and Huddersfield, because the life of things is not natural.
It is only the supernatural life that dares to proclaim it there.
Poets cannot describe the town landscapes as changing with the spring.
They cannot say that in the spring a brighter scarlet glows
in the suburban pillar-box, or in the spring the wanton
policeman gets himself another crest or even another helmet.
It is only human hopefulness that can see any hope in the human
institution of the pillar-box; and only by a great act of faith
do we affirm that policemen shall rise again from the dead.
Nature cannot help us now, even as a symbol; for industrialism has
destroyed the natural, but it cannot destroy the supernatural.

Second, we shall not fall into the pantheist fallacy of Shelley because it
is only too likely that Nature, in the sense of immediate material
resourses, will take on a sterner aspect in later and darker days;
the days in which nature-worshippers become devil-worshippers.
Merely natural optimists will become very unnatural pessimists--
and it will be quite natural.

Lastly, the very task before us is enough to prove that things
begin in the mind and that the spirit must blow its trumpet before
any resurrection.  For we are trying to bring back a Spring that
as yet only exists in the spirit; to create grass and green things
which must exist in a dream before they can exist in a landscape;
the growth of which will be a miracle in the sense of something
turning back the whole trend and movement of the earth.
A Revolution is a mild thing compared with a Resurrection;
and nothing less can raise us from the dead.

                                          G. K.'s Weekly, March 26th, 1932

THE PERSON OF JESUS CHRIST

Chesterton had been invited to reply to an article in
The Hibbert Journal, which had challenged our Lord's divinity
and attributed human fallibility and error to His teaching.
He begins by saying that he intends to speak of `the
actual Jesus as He appears in the New Testament; not as He
appears to a believer, but as He appears to anybody;
as He appeared to me when I was an agnostic; as He appeared
and still appears to pagans when they first read about Him.'
If, therefore, he says, I speak of Him in this article with
something that even sounds like levity, let it be understood
that l am speaking for the sake of argument of a hypothetical
human Jesus in the Syrian documents and not of that divine
personality in whom I believe.'

`Now, the thing that strikes me most about [the critic] is that he is
wrong on the facts.  He is especially wrong on the primary fact
of what sort of person the Jesus of the Gospels appears to be.
The whole of [his] contention is ultimately this; that when we look,
so to speak, through the four windows of the Evangelists at
this mysterious figure, we can see there a recognizable Jew of
the first century, with the traceable limitations of such a man.
Now this is exactly what we do not see.  If we must put
the thing profanely and without sympathy, what we see is this:
an extraordinary being who would certainly have seemed as mad in one
century as another, who makes a vague and vast claim to divinity,
who constantly contradicts himself, who imposes impossible commands,
who where he seems wrong to us would certainly have seemed quite
as wrong to anybody else, who where he seems right to us is often
in tune with matters not ancient but modern, such, for instance,
as the adoration of children.  For some of his utterances men
might fairly call him a maniac; for others, men long centuries
afterwards might justly call him a prophet.  But what nobody
can possibly call him is a Galilean of the time of Tiberius.
That was not how he appeared to his own family who tried to lock him
up as a lunatic.  That is not how he appeared to his own nation,
who lynched him, still shuddering at his earth-shaking blasphemies.
The impression produced on sceptics, ancient and modern, is not that
of limits, but rather of a dangerous absence of limits; a certain
shapelessness and mystery of which one cannot say how far it will go.
... The thing to say about Jesus, if you do not like Him, is that He
was a megalomaniac like Nero or a mystagogue like Cagliostro.
But whether or no He was small, it is plain that the Gospels are
too small for Him.  Whether or no He is large, He is too large
for the stage....

If I take it for granted (as most modern people do)
that Jesus of Nazareth was one of the ordinary teachers of men,
then I find Him splendid and suggestive indeed, but full
of riddles and outrageous demands, by no means so workable
and everyday an adviser as many heathens and many Jesuits.
But if I put myself hypothetically into the other attitude,
the case becomes curiously arresting and even thrilling.
If I say `Suppose the Divine did really walk and talk upon the earth,
what should we be likely to think of it?'--then the foundations
of my mind are moved.  So far as I can form any conjecture,
I think we should see in such a being exactly the perplexities
that we see in the central figure of the Gospels:  I think
he would seem to us extreme and violent; because he would see
some further development in virtue which would be for us untried.
I think he would seem to us to contradict himself;
because, looking down on life like a map, he would see
a connection between things which to us are disconnected.
I think, how ever, that he would always ring true to our own
sense of right, but ring (so to speak) too loud and too clear.
He would be too good but never too bad for us:  `Be ye perfect.'
I think would be, in the nature of things, some tragic collision
between him and the humanity he had created, culminating in
something that would be at once a crime and an expiation.
I think he would be blamed as a hard prophet for dragging
down the haughty, and blamed also as a weak sentimentalist for
loving the things that cling in corners, children or beggars.
I think, in short, that he would give us a sensation that he was
turning all our standards upside down, and yet also a sensation
that he had undeniably put them the right way up.  So, if I
had been a Greek sage or an Arab poet before Christ, I should
have figured to myself, in a dream, what would actually happen
if this earth bore secretly the father of gods and men.
In the abstract, it may be that it is still only a dream.
Between those who think it is a dream and those who do not,
is to be waged the great war of our future in which all these
frivolities will be forgotten.

                                               Hibbert Journal, July, 1909

THE DIVINE COMEDY

At the beginning and at the end of all life, learned and ignorant,
there is the abiding truth that in the inmost theatre of the soul of man,
with a scenery of bottomless infinities and appalling abstractions,
there is always going forward one ancient mystery play in which there
are only two characters.

                                           The Speaker, February 9th, 1901

THE DRAGON

The following is the last sentence of Chesterton's first published essay;
it appeared in the first number of The Debater, the journal of the famous
J.D.C. at St Paul's School.  In spite of its schoolboy rhetoric,
it expresses something of which Chesterton's whole literary career was,
in a very real sense, a fulfilment.

Reader, when you or I meet him [the dragon], under whatever disguise,
and perhaps rescue a few captives from his black cavern, may we bear
a brave lance and a spotless shield through the crashing mêlée
of life's narrow lists and may our wearied swords have struck fiercely
on the painted crests of Imposture and Injustice when the Dark Herald
comes to lead us to the pavilion of the King.

                                           The Debater, March--April, 1891